Johannes Heesters - After The War

After The War

Heesters worked extensively for UFA until almost the end of the Second World War (his last wartime movie being Die Fledermaus, produced in 1945) and easily made the transition from the Nazi-controlled cultural scene to post-war Germany and Austria, appearing again in a number of films. These included Die Jungfrau auf dem Dach and the 1957 version of Viktor und Viktoria. Heesters stopped making movies around 1960 to concentrate on stage and television appearances and on producing records.

In later years Heesters spoke fondly of Hitler as a person, but condemned his political stance. In the 1990s, he and his wife toured Germany and Austria with Curth Flatow's play Ein gesegnetes Alter (A Blessed Age), which was also televised in 1996. On 5 December 2003, he celebrated his 100th birthday with a television special Eine Legende wird 100 (A legend turns 100) on the ARD television channel.

On his 100th birthday Heesters received the title "Kammersänger". In December 2004, aged 101, Heesters appeared in Stuttgart at the Komödie im Marquardt theatre in a show commissioned on the occasion of his 100th birthday, Heesters – eine musikalische Hommage. In 2005 aged 102 he was featured as a soloist in a major concert tour with the Deutsches Filmorchester Babelsberg under the direction of Scott Lawton.

On 5 December 2006 Heesters celebrated his 103rd birthday with a concert at the Wiener Konzerthaus. On 5 December 2007 he celebrated his 104th birthday with a concert at the Admiralspalast, Berlin, and in February 2008 he performed in his home country for the first time in four decades amidst protests against his Nazi associations.

Heesters apologised for calling Adolf Hitler a "good chap" on the popular German TV show Wetten, dass..? on Saturday, 13 December 2008, aged 105. He said that he had said something stupid and horrible and asked for forgiveness. In addition, German media suggested that he had failed to understand the show's satirical nature.

Heesters became less active in his last years and played smaller roles, as he began to lose his eyesight due to macular degeneration and could not perform on stage for long periods of times. Unable to read a teleprompter, he had to memorize his lines before a show.