Works
As an author Ewald is a prominent representative of Danish sentimentalism but at the same time a forerunner of romanticism. His main inspiration was German poetry (Klopstock), but British writers like Edward Young and Sterne, as well as Rousseau, are obvious inspirations as well. Violent expressions of feeling (happiness, sorrow and love) are typical in his writing; these elements are apparently spontaneous but, at the same time, deliberately and artificially drawn up. Behind this a clear pietist tune is felt.
Several Ewald poems are Danish classics. He had his break-through with a melodious and expressive commemorative poem at the death of King Frederick V (1766). The famous Rungsteds Lyksaligheder (1773 - "The Happiness of Rungsted") is an ode to the Creator. (Rungsted is a city on Sjælland) Ode til Sjælen ("For the Soul") is a worthy hailing of Man’s uniqueness. Til min M*** ("For my M(oltke)) is a grateful praise for a noble benefactor, during the unhappy Humlebæk period. The hymn Udrust Dig, helt fra Golgatha ("Arm Yourself, Hero of Golgatha", 1781), practically written on his death-bed, must be mentioned. Minor humorous verses and satires are less known today.
Just as important are Ewald's dramas. Ewald was the first to rely heavily on Norse mythology, a trend which begins to point towards romanticism. He wrote the plays Rolf Krage in 1770, Balders Død (Eng. transl. "The Death of Balder", 1889) in 1773, and Fiskerne (The Fishermen) in 1779. From the latter play one song is still remembered by most Danes: King Christian stood by the lofty mast that shares the position of being the national anthem of Denmark (the other is Oehlenschläger's "There is a lovely Land").
Ewald's main prose work was the unfinished autobiography Levnet og Meninger ("Life and Opinions", written 1774-78, published 1804-08).
Read more about this topic: Johannes Ewald
Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
—William Butler Yeats (1865–1939)
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (1817–1862)