Salzburg and Late Works
Fischer's expertise in town planning made itself felt in designs he executed for the Archbishop of Salzburg. Particularly accomplished are two churches, the Dreifaltigkeitskirche (1694–1702) and the (1696–1707), whose highly pitched domes and towers, convex facades, and dynamic forms irrevocably changed the outline of Salzburg. They say that masses of stone were designed by Fischer so as to give the appearance of billows of cloud and smoke. The archbishop's country seat, Schloss Klessheim (1700–09), was also designed by him.
Fischer's visit to Dalmatia brought back to Western Europe the influence of the classical Diocletian's Palace and provided Europe with one of the first professional architectural glimpses of this notable Roman monument.
After Joseph I's death in 1711, Fischer von Erlach was rarely entrusted with new commissions, as the more pleasing and less demanding designs of his rival Johann Lucas von Hildebrandt proved more popular with the young monarch Charles VI, Holy Roman Emperor and his court. He found an opportunity to draw some of the finest architectural reconstructions of the buildings of Antiquity, which were published in his groundbreaking Plan of Civil and Historical Architecture in 1721. He was also made responsible for various administrative tasks, which would take a large portion of his energy and time.
Clam-Gallas Palace in Prague, commenced in 1713, was one of his last designs for a stately town residence. The structure, much imitated by later architects, highlights Fischer's enthusiasm for Palladian facades, which became ever more pronounced during the last period of his work.
But it is Karlskirche in Vienna, started in 1715, that most fully illustrates his late synthetic style. In this structure, completed by his son Joseph Emanuel, Fischer's ambition was to harmonize the principal elements and ideas that underlie the most significant churches in the history of Western architecture: the Temple of Solomon in Jerusalem, Hagia Sophia in Constantinople, the Pantheon and Saint Peter's Basilica in Rome, the Dome des Invalides in Paris and Saint Paul's Cathedral in London.
Read more about this topic: Johann Bernhard Fischer Von Erlach
Famous quotes containing the words late and/or works:
““Seven years and six months!” Humpty Dumpty repeated thoughtfully. “An uncomfortable sort of age. Now if you’d asked my advice, I’d have said ‘Leave off at seven’Mbut it’s too late now.””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)