Johann Albrecht Bengel - Gnomon Novi Testamenti

The other great work of Bengel, and that on which his reputation as an exegete is mainly based, is his Gnomon Novi Testamenti, or Exegetical Annotations on the New Testament, published in 1742. It was the fruit of twenty years labor, and exhibits with a brevity of expression, which, it has been said, condenses more matter into a line than can be extracted from pages of other writers, the results of his study. He modestly entitled his work a Gnomon or index, his object being rather to guide the reader to ascertain the meaning for himself, than to save him from the trouble of personal investigation. The principles of interpretation on which he proceeded were, to import nothing into Scripture, but to draw out of it everything that it really contained, in conformity with grammatico-historical rules not to be hampered by dogmatical considerations; and not to be influenced by the symbolical books. Bengel's hope that the Gnomon would help to rekindle a fresh interest in the study of the New Testament was fully realized. It has passed through many editions, has been translated into German and into English (by Marvin Vincent in 1860), and is still valued by expositors of the New Testament. John Wesley made great use of it in compiling his Expository Notes upon the New Testament (1755).

Besides the two works already described, Bengel was the editor or author of many others, classical, patristic, ecclesiastical and expository. The more important are: Ordo Temporum, a treatise on the chronology of Scripture, in which he enters upon speculations regarding the end of the world, and an Exposition of the Apocalypse which enjoyed for a time great popularity in Germany, and was translated into several languages. His fame was such that almost 200 years later, Hermann Hesse has the hero of The Glass Bead Game discuss Bengel's writings.