Impact of Flag Raising Photo
The American people saw Rosenthal's photo as a potent victory symbol. Wire services flashed the iconic Pulitzer Prize winning photograph around the world in time to appear in the Sunday newspapers on February 25, 1945. Many magazines ran the photo on their covers. The photo was used in a 1945 War Bond drive which raised $26.3 billion.
Artists later used the photo as a model for the United States Marine Corps War Memorial, commonly referred to as "The Iwo Jima Memorial", at Arlington, and the U.S. Postal Service put the photo on a U.S. postage stamp. A version also stands on the parade ground at Marine Corps Recruit Depot Parris Island, South Carolina,
Reporters extensively interviewed Rosenthal after September 11, 2001, when Thomas E. Franklin shot a similar iconic photograph, Ground Zero Spirit, depicting the raising of the flag by three firefighters at the World Trade Center. Rosenthal and Franklin met several times after the event.
Read more about this topic: Joe Rosenthal
Famous quotes containing the words impact of, impact, flag, raising and/or photo:
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“What is Americanism? Every one has a different answer. Some people say it is never to submit to the dictation of a King. Others say Americanism is the pride of liberty and the defence of an insult to the flag with their gore. When some half-developed person tramples on that flag, we should be ready to pour out the blood of the nation, they say. But do we not sit in silence when that flag waves over living conditions which should be an insult to all patriotism?”
—Anna Howard Shaw (1847–1919)
“The end product of child raising is not only the child but the parents, who get to go through each stage of human development from the other side, and get to relive the experiences that shaped them, and get to rethink everything their parents taught them. The get, in effect, to reraise themselves and become their own person.”
—Frank Pittman (20th century)
“A photo of someone else’s childhood,
a garden in another country—world
he had no part in and has no power to imagine:
yet the old man who has failed his memory
keens over the picture— ‘Them happy days—
gone—gone for ever!’”
—Denise Levertov (b. 1923)