Career
Mantegna made his acting debut in the 1969 stage production of Hair and debuted on Broadway in Working (1978). He also helped write Bleacher Bums, an award-winning play which was first performed at Chicago's Organic Theater Company, and was a member of its original cast. He had a small role in the movie Xanadu which was cut, although since his name is in the film's credits Mantegna gets residuals for the film.
Mantegna won a Tony award for his portrayal of Richard Roma in David Mamet's play Glengarry Glen Ross. He has had a long and successful association with Mamet, appearing in a number of his works.
Mantegna made his feature film debut in Medusa Challenger (1977). He played womanizing dentist Bruce Fleckstein in Compromising Positions (1985). Other early movies include co-starring roles in The Money Pit (1986), Weeds (1987), and Suspect (1987).
He also starred in the critically acclaimed movies House of Games (1987) and Things Change (1988), both written by Mamet. He and Things Change co-star Don Ameche received the Best Actor Award at the Venice Film Festival. In 1991 Mantegna starred in another Mamet story, the highly praised police thriller Homicide.
A highly versatile actor, Mantegna has played a wide range of roles, from the comic—as a fed up shock jock in Airheads and the hilariously inept kidnapper from Baby's Day Out—to the dramatic, in roles such as Joey Zasa, a treacherous mobster in The Godfather Part III and an Emmy-nominated performance as singer Dean Martin in HBO's 1998 film The Rat Pack.
Mantegna has a recurring role in the animated series The Simpsons as the voice of mob boss Anthony "Fat Tony" D'Amico. He insists on voicing the character every time he appears, no matter how little dialogue he has. To quote: "If Fat Tony sneezes, I want to be there." In one instance, however, Phil Hartman voiced Fat Tony in the episode "A Fish Called Selma."
Mantegna spoofed himself when he hosted Saturday Night Live for the 1990–1991 season in which he calmly began his monologue by saying he did not wish to be typecast from his gangster roles. A disappointed little boy and his father leave, as they mistakenly believed the host would be Joe Montana (football player) due to the similar names. Mantegna then began speaking in a low, controlled voice to the little boy, telling him it was best to stay in the audience and respect his performance; he warned the boy that if he (Mantegna) made a call, then Montana would not play in his next game—an implication that Mantegna's true personality equaled his gangster roles.
Mantegna received the Lifetime Achievement Award on April 26, 2004, at the Los Angeles Italian Film Festival. On August 11, 2007, Mantegna signed on to replace departing star Mandy Patinkin on the CBS crime drama Criminal Minds.
Since 2006, he has co-narrated the National Memorial Day Concert on the Mall in Washington, D.C. with Gary Sinise.
Mantegna was the keynote commencement speaker at The Chicago School of Professional Psychology in June 2008.
On April 29, 2011, Mantenga received the 2,438th star on the Hollywood Walk of Fame.
On June 6, 2011, Mantegna's hometown of Cicero, IL celebrated his body of work with an honorary street sign—Joe Mantegna Boulevard—on the northeast corner of Austin Blvd and 25th St., the location of his high school.
Read more about this topic: Joe Mantegna
Famous quotes containing the word career:
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)