Career
Plowright made her stage debut at Croydon in 1948 and her London debut in 1954. In 1956 she joined the English Stage Company at the Royal Court Theatre and was cast as Margery Pinchwife in The Country Wife. She appeared with George Devine in the Eugène Ionesco play, The Chairs, Shaw's Major Barbara and Saint Joan.
In 1957, she co-starred with Sir Laurence Olivier in the original London production of John Osborne's The Entertainer, taking over the role of Jean Rice from Dorothy Tutin when the play transferred from the Royal Court to the Palace Theatre. She continued to appear on stage and in films such as The Entertainer (1960). In 1961, she received a Tony Award for her role in A Taste of Honey on Broadway.
Through her marriage to Laurence Olivier, she became closely associated with his work at the National Theatre from 1963 onwards. From the 1980s she began to appear more regularly in films, including Enchanted April (1992), for which she won a Golden Globe Award and an Academy Award nomination, Dennis the Menace (1993), a cameo in Last Action Hero (also 1993), and Tea With Mussolini (1999). She was also Nanny in 101 Dalmatians (1996). Among her television roles, she won another Golden Globe Award and earned an Emmy Award nomination for the HBO film Stalin in 1992 as the Soviet dictator's mother-in-law. In 1994, she was awarded the Women in Film Crystal Award.
In 2003, Plowright performed in the stage production Absolutely! (Perhaps) in London. She was appointed honorary president of the English Stage Company in March 2009, succeeding John Mortimer, who died in January 2009. She was previously vice-president of the company.
Plowright was appointed a Commander of the Order of the British Empire (CBE) in the 1970 Queen's New Year Honours and was promoted to Dame Commander (DBE) in the 2004 Queen's New Year Honours.
Read more about this topic: Joan Plowright
Famous quotes containing the word career:
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)