Career
Fontaine made her stage debut in the West Coast production of Call It a Day in 1935 and was soon signed to an RKO contract. Her film debut was a small role in No More Ladies (1935) (in which she was billed as Joan Burfield).
Although Fontaine, on contract with RKO, had already made her screen appearance in No More Ladies, a series of other minor roles followed, in A Million to One (1937) and Quality Street (1937), opposite Katherine Hepburn. The studio considered her a rising star, and touted The Man Who Found Himself as her first starring role, placing a special screen introduction, billed as the "new RKO screen personality" after the end credit.She next appeared in a major role alongside Fred Astaire in his first RKO film without Ginger Rogers: A Damsel in Distress (1937) but audiences were disappointed and the film flopped. She continued appearing in small parts in about a dozen films, including The Women (1939) but failed to make a strong impression and her contract was not renewed when it expired in 1939, the same year she married her first husband, British actor Brian Aherne. They divorced in 1945.
Fontaine's luck changed one night at a dinner party when she found herself seated next to producer David O. Selznick. She and Selznick began discussing the Daphne du Maurier novel Rebecca, and Selznick asked her to audition for the part of the unnamed heroine. She endured a gruelling six-month series of film tests, along with hundreds of other actresses, before securing the part some time before her 22nd birthday.
Rebecca, starring Laurence Olivier alongside Fontaine, marked the American debut of British director Alfred Hitchcock. In 1940, the film was released to glowing reviews and Fontaine was nominated for an Academy Award for Best Actress. Fontaine did not win that year (Ginger Rogers took home the award for Kitty Foyle), but Fontaine did win the following year for Best Actress in Suspicion, which co-starred Cary Grant and was also directed by Hitchcock. This is the only Academy Award winning performance directed by Hitchcock.
Read more about this topic: Joan Fontaine
Famous quotes containing the word career:
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)