Jimmy Webb - Early Songwriting Success

Early Songwriting Success

After transcribing other people's music for a small music publisher, Webb was signed to a songwriting contract with Jobete Music, the publishing arm of Motown Records. The first commercial recording of a Jimmy Webb song was "My Christmas Tree" by The Supremes, which appeared on their 1965 Merry Christmas album. The following year, Webb met singer and producer Johnny Rivers, who signed him to a publishing deal and recorded his song "By the Time I Get to Phoenix" on his 1966 album Changes.

In 1967, Rivers turned to Webb for songs for a new group Rivers was producing called The 5th Dimension. Webb contributed five songs to their début album Up, Up and Away. The song "Up, Up and Away" was released as a single in May 1967 and reached the Top Ten. The group's follow-up album, The Magic Garden, was also released in 1967 and featured eleven Jimmy Webb songs, including "The Worst That Could Happen". In November 1967, Glen Campbell released his version of "By the Time I Get to Phoenix", which reached number 26 and became an instant pop standard. At the 1967 Grammy Awards, "Up, Up and Away" was named Record of the Year and Song of the Year. "Up, Up and Away" and "By the Time I Get to Phoenix" received eight Grammy Awards between them. Webb's success as a new songwriter underscored what became the central dilemma in his career. While his sophisticated melodies and orchestrations were embraced by mainstream audiences, his peers were embracing counter-culture sounds. Webb was quickly becoming out of sync with his times.

In 1968, Time acknowledged Webb's range, proficiency, and "gift for strong, varied rhythms, inventive structures, and rich, sometimes surprising harmonies." That year, the string of successful Jimmy Webb songs continued with The 5th Dimension's "Paper Cup" and "Carpet Man" reaching the Top 40, Glen Campbell's "Wichita Lineman" selling over a million copies, and Johnny Maestro & The Brooklyn Bridge scoring a gold record with "The Worst That Could Happen", a song originally recorded by The 5th Dimension. Webb formed his own production and publishing company that year, Canopy, and scored a hit with its first project, an unlikely album with Irish actor Richard Harris singing an album of all Jimmy Webb songs. One of the songs, "MacArthur Park", was a long, complex piece with multiple movements that was originally rejected by the group The Association. Despite the song's seven minute, twenty-one second length, Webb released "MacArthur Park" as a single, and it quickly reached Number 2 on the singles chart. The Richard Harris album A Tramp Shining stayed on the charts for almost a year. Webb and Harris produced a followup album, The Yard Went On Forever, which was also successful. At the 1968 Grammy Awards, Webb accepted awards for "By the Time I Get to Phoenix", "Wichita Lineman", and "MacArthur Park".

In 1969, Glen Campbell continued the streak of Jimmy Webb hits with the gold record "Galveston" and "Where's the Playground Susie". Webb and Campbell had first met during the production of a General Motors commercial. Webb arrived at the recording session with his Beatle-length hair and approached the conservative singer, who looked up from his guitar and said, "Get a haircut." That same year, two Jimmy Webb songs became hits for the second time with Isaac Hayes' soulful version of "By the Time I Get to Phoenix" and Waylon Jennings' Grammy-winning country version of "MacArthur Park". Webb finished up the year by writing, arranging, and producing Thelma Houston's first album, Sunshower. As the decade came to a close, so too did Webb's string of hit singles. He began to withdraw from the formulaic process in which he worked and began to experiment with his music. He started work on a semi-autobiographical Broadway musical called His Own Dark City, which reflected the emotional displacement he felt at the time. He also wrote music for the films How Sweet It Is! and Tell Them Willie Boy Is Here.