Jim Furyk - The Swing

The Swing

Jim Furyk's trademark looping golf swing begins with a setup that has the ball at the heel of the club instead of the center, or even out at the toe. This moves his 6 ft 2 in (1.88 m) frame in so close that his hands are virtually touching his thighs. Most golfers would have a difficult time with a golf club from such a starting point. Compare Furyk's setup to the more textbook setup of Tiger Woods, who begins with his hands 8 inches or so away from his body, a position that promotes a take-away that will put the golf club over his right shoulder at the top, and keep his right elbow tucked against his body. For a human being, this is the classic launch position. Since the beginning of time it has been used to throw a stone, a spear, a baseball, or swing a club. The big muscles of the body—the back, shoulders and thighs—are in control, not the weaker ones in the hands and wrists. The athlete (or hunter in early times) is said to be "loaded." His entire body is poised in the optimum power position.

Furyk, by contrast, takes the club away in the manner of a basketball player shooting a hook shot. His arms move back vertically, and at the top his right elbow "flies away" from his body. Tall players tend toward more upright swings. While this manner of beginning doesn't promote power, it is an early step to facilitate accurate ball-striking. The club's shaft is nearly vertical, like a putter. It moves straight back and straight up, keeping it on path longer, which tends to reinforce in the mind the route along which to bring it back into the ball. At the top of the backswing, Furyk is in the same position as Jack Nicklaus would be—club shaft parallel to the intended line of flight, elbow flying off to who-knows-where. Starting the downswing, Furyk then "corrects" for his unconventional takeaway by dropping his right elbow into the slot where it needs to be, a move that brings the golf club onto the proper swing path to achieve sound results. It's this downswing beginning that produces the idiosyncratic loop in his swing.

As Mike Furyk describes in a Golf Digest issue in 2001, Jim Furyk's hips "underturn" during the backswing and "overturn" coming down. On the downswing, he draws the club in a large arc behind his body (viewing from his right hand side), then pastes his elbow against his right hip at impact. Golf commentator Gary McCord has said it looks like Furyk is trying to swing inside a phone booth. Another commentator David Feherty memorably described Furyk's swing as "an octopus falling out of a tree". Others have noted it reminds them of "a one-armed golfer using an axe to kill a snake in a telephone booth."

This move was controversial during Jim Furyk's early career; however, his father never forced him to change what came naturally to him. Jim Furyk's well-known ball-striking precision is now serving him well on the professional tour.

Furyk, however, isn't the first professional golfer to show us that a swing that defies convention—and countless books and articles on golf—can be successful. Nicklaus' swing was upright, with a flying elbow—and one of the biggest loopers of all time was Lee Trevino.