Criticism
Helen Nearing, who had known Krishnamurti in the 1920s, stated, in Loving and Leaving the Good Life, that Krishnamurti's attitudes were conditioned by privilege. This was due, in her view, to his being supported, even pampered, by devoted followers starting as far back as his "discovery" by the theosophists. She also said that he was at such an "elevated" level that he was incapable of forming normal personal relationships.
In her 1991 book, Lives in the Shadow with J. Krishnamurti, Radha Rajagopal Sloss, the daughter of estranged Krishnamurti associates Rosalind and Desikacharya Rajagopal, wrote of Krishnamurti's relationship with her parents, including a secret affair between Krishnamurti and Rosalind which lasted for many years. The public revelation was received with surprise and consternation by many, and was also dealt with in a rebuttal volume of biography by Mary Lutyens (Krishnamurti and the Rajagopals).
U.G. Krishnamurti (no relation) reported that the two had almost daily discussions for a while, which he asserted were not providing satisfactory answers to his questions. Finally, their meetings came to a halt. He described part of the final discussion:
"And then, towards the end, I insisted, "Come on, is there anything behind the abstractions you are throwing at me?" And that chappie said, "You have no way of knowing it for yourself". Finish – that was the end of our relationship, you see – "If I have no way of knowing it, you have no way of communicating it. What the hell are we doing? I've wasted seven years. Goodbye, I don't want to see you again". Then I walked out."Read more about this topic: Jiddu Krishnamurti
Famous quotes containing the word criticism:
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
—Ezra Pound (1885–1972)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (1817–1862)