Jesse James - Legacy and Controversies

Legacy and Controversies

James's turn to crime after the end of the Reconstruction era helped cement his place in American life and memory as a simple but remarkably effective bandit. After 1873 he was covered by the national media as part of social banditry. During his lifetime, James was celebrated chiefly by former Confederates, to whom he appealed directly in his letters to the press. Displaced by Reconstruction, the antebellum political leadership mythologized the James Gang exploits. Frank Triplett wrote about James as a "progressive neo-aristocrat" with purity of race. Indeed, some historians credit James' myth as contributing to the rise of former Confederates to dominance in Missouri politics (in the 1880s, for example, both U.S. Senators from the state, Confederate military commander Francis Cockrell and Confederate Congressman George Graham Vest, were identified with the Confederate cause).

In the 1880s, after James's death, the James Gang became the subject of dime novels that represented the bandits as pre-industrial models of resistance. During the Populist and Progressive eras, James became a symbol as America's Robin Hood, standing up against corporations in defense of the small farmer, robbing from the rich and giving to the poor, while there is no evidence that his robberies enriched anyone other than his gang and himself.

In portrayals of the 1950s, James was pictured as a psychologically troubled individual rather than a social rebel. Some filmmakers portrayed the former outlaw as a revenger, replacing "social with exclusively personal motives."

Jesse James remains a controversial symbol, one who can always be reinterpreted in various ways, according to cultural tensions and needs. Although some of the neo-Confederate movement regard him as a hero, renewed cultural battles over the place of the Civil War in American history have replaced the long-standing interpretation of James as a Western frontier hero. Some point to his absolute commitment to slavery and his vow after the Civil War to shoot any black in Missouri not fulfilling the role of a slave.

While his "heroic outlaw" image is still commonly portrayed in films, as well as in songs and folklore, recent historians place him as a self-aware vigilante and terrorist who used local tensions to create his own myth among the widespread insurgent guerrillas and vigilantes following the American Civil War.