Jerry Cornelius - The Cornelius Quartet

The Cornelius Quartet

In these four novels Jerry undergoes transformations, dies, is reborn, spends one entire novel as a shivering wreck, and eventually discovers his true natures.

• The Final Programme

Jerry battles his brother Frank who has kidnapped his beloved Catherine. Frank of course dies, but Catherine is also killed. Jerry is sucked into the plans of Miss Brunner to create the perfect being by merging the bodies of Jerry and herself together. When this is done, a radiantly charismatic hermaphroditic being emerges from the machinery. All who see the new creature fall quaking to their knees. The creature itself announces that this is "a very tasty world".

• A Cure for Cancer

Jerry is solo again, existing as negative character with black skin and white hair. He moves through a landscape of destroyed English cities and occupying American armies, a metaphor for contemporary Vietnam. He runs a clandestine "transmogrification" service for people who want to cast off their old selves, flesh and all. We meet the gluttonous Bishop Beesley, and his daughter Mitzi. Eventually Jerry drives the Americans to madness, causing them to burn everything, including themselves.

• The English Assassin

All the supporting characters, particularly Una Persson, drive this novel while Jerry is nothing more than a whimpering heap of rags washed up on a beach and carried in the back of a lorry to safety. There are episodes in settings ranging from the cockpit of a Dornier Do X, the deck of an Edwardian sailing ship, the anarchic steppes of revolutionary Russia, and Victorian music-hall. Finally Jerry is able to revive as the character Pierrot, forever mourning his lost Columbine, who is Catherine.

• The Condition of Muzak

Taking its title from the Walter Pater quote "All art constantly aspires towards the condition of music", this is a series of vignettes that cast Jerry as a teenager in Notting Hill, a character in the commedia dell'arte, a secret agent and a fool. Particularly notable are the Notting Hill scenes, which seem to reduce all the other parts of the canon to fantasies in the adolescent Jerry's mind. Other scenes fill in detail, if any were needed, between the novels. In the final scene Jerry's foul-mouthed mother dies, and on her deathbed she reveals the family's history as a distorted version of the canon which Jerry and his now-pregnant sister Catherine seem doomed to continue.