Career
While Walker found steady work in radio programs, Isley worked part-time modeling hats for the Powers Agency while looking for possible acting jobs. When she learned of auditions for the lead role in Claudia, Rose Franken’s hit play, she presented herself to David O. Selznick’s New York office but fled in tears after what she thought was a bad reading. Selznick, however, overheard her audition and was impressed enough to have his secretary call her back. Following an interview, she was signed to a seven-year contract.
She was carefully groomed for stardom and given a new name: Jennifer Jones. Director Henry King was impressed by her screen test as Bernadette Soubirous for The Song of Bernadette (1943) and she won the coveted role over hundreds of applicants. In 1944, on her 25th birthday, Jones won the Academy Award for Best Actress for her performance as Bernadette Soubirous. That year, Jones' friend, Ingrid Bergman, was also a Best Actress nominee for her work in For Whom the Bell Tolls. Jones apologized to Bergman, who replied, "No, Jennifer, your Bernadette was better than my Maria." Jones presented the Best Actress Oscar the following year to Bergman for Gaslight.
Over the next two decades, Jones appeared in a wide range of roles selected by Selznick. Her dark beauty and sensitive nature appealed to audiences and she projected a variable range. Her initial saintly image — as shown in her first starring role — was a stark contrast three years later when she was cast as a provocative bi-racial woman in Selznick’s controversial film Duel in the Sun (1946). Other notable films included Since You Went Away (1944), Love Letters (1945), Cluny Brown (1946), Portrait of Jennie (1948), Madame Bovary (1949), We Were Strangers (1949), Gone to Earth (1950), Carrie (1952), Ruby Gentry (also 1952), Indiscretion of an American Wife (1953), Beat the Devil (1953), Love Is a Many-Splendored Thing (1955), Good Morning Miss Dove (also 1955), The Man in the Gray Flannel Suit (1956) starring opposite Gregory Peck and A Farewell to Arms (1957). Her leading men during this period included Charles Boyer, Joseph Cotten, Gregory Peck, John Garfield, Charlton Heston, Laurence Olivier, Montgomery Clift, Humphrey Bogart, William Holden, Robert Stack, John Gielgud, Rock Hudson, and Jason Robards. The portrait of Jones for the film Portrait of Jennie was painted by Robert Brackman. She inspired the character Dolores González in Raymond Chandler's novel "The Little Sister" (1949).
Her last big-screen appearance came in the spectacular disaster film The Towering Inferno (1974), in which she danced with Fred Astaire before a fire threatened partygoers in a new San Francisco skyscraper who were celebrating its official opening as tallest building in the world. Her exit from the picture was also the most sympathetic when, after helping to assist two children to escape the disaster, her character fell 110 stories to her death from a scenic elevator on the outside of the building which was derailed following an explosion. Her touching performance earned her a Golden Globe nomination for Best Supporting Actress. Scenes from early on in the movie showed paintings lent to the production from the Norton Simon art gallery. Simon was her husband at the time the movie was produced.
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