Career
In 1947, Moreau made her theatrical debut at the Avignon Festival. She debuted at the Comédie-Française in Ivan Turgenev's A Month in the Country and, by her twenties, was already one of leading actresses in the theatre's troupe. After 1949, she began appearing in films with small parts but continued primarily active in the theatre for several years—a year at the Théâtre National Populaire opposite among others Gérard Philipe and Robert Hirsch, then a breakout two years in dual roles in The Dazzling Hour by Anna Bonacci, then Jean Cocteau's La Machine Infernale and others before another two-year run, this time in Shaw's Pygmalion. From the late 1950s, after appearing in several successful films, she began to work with the emerging generation of French film-makers. Elevator to the Gallows (1958) with first-time director Louis Malle was followed by Malle's The Lovers (Les Amants, 1959). The latter film, controversial in its day, led the media to tag her 'The New Bardot'.
Largely thanks to those films, Moreau went on to work with many of the best known New Wave and avant-garde directors. François Truffaut's New Wave film Jules et Jim (1962), her biggest success internationally, is centred on her magnetic starring role. She has also worked with a number of other notable directors such as Michelangelo Antonioni (La notte and Beyond the Clouds), Orson Welles (The Trial, Chimes at Midnight and The Immortal Story), Luis Buñuel (Diary of a Chambermaid), Elia Kazan (The Last Tycoon), Rainer Werner Fassbinder (Querelle), Wim Wenders (Until the End of the World), Carl Foreman (Champion and The Victors), and Manoel de Oliviera (Gebo et l'Ombre). In 1983, she was head of the jury at the 33rd Berlin International Film Festival.
Moreau has enjoyed success as a vocalist. She has released several albums and once performed with Frank Sinatra at Carnegie Hall. In addition to acting, Moreau has also worked behind the camera, as a writer, director and producer. Her blended accomplishments were the subject of a 1988 film profile, Calling The Shots, by Janis Cole and Holly Dale.
Read more about this topic: Jeanne Moreau
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