Career
After graduating from college, Smart began her career appearing in regional theater while still living in Seattle (Seattle Repertory Theater, Ashland (Oregon) Shakespeare festival, etc.). She moved to NYC in the mid 1970s with college friend and fellow actress, Elizabeth Wingate (Lavery), and began working in Off-Broadway productions almost immediately. Before long she made her Broadway debut portraying Marlene Dietrich in the 1981 play Piaf, a role which she would later reprise for the 1984 television version. Also in 1981, Smart was nominated for a Drama Desk Award for her performance in the Off-Broadway play Last Summer at Bluefish Cove.
She began working in television in several smaller to mid-size guest parts in the late 1970s and early 1980s, appearing in such shows as The Facts of Life, Alice, and Remington Steele among several others. Her big break came when she was cast in the starring role of Charlene Frazier Stillfield on the comedy series Designing Women from 1986 to 1991. After leaving Designing Women, her work mostly concentrated within made-for-TV movies and smaller- to mid-size roles in films. Notably she portrayed serial killer, Aileen Wuornos, in the TV movie, Overkill: The Aileen Wuornos Story (1992), Ory Baxter in a television version of The Yearling (1994), Sally Brewton in the television miniseries Scarlett (1995), and Mrs. Dittmeyer in The Brady Bunch Movie (1995). In 1995 Smart landed her own series, High Society, which co-starred Mary McDonnell, which lasted only 13 episodes. In 1998, Smart co-starred with Nancy McKeon in another short-lived CBS sitcom, Style & Substance. Other roles during the 1990s included Dana Colby in Steve Martini's Undue Influence (1998), Holly in Neil Simon's The Odd Couple II (1998), and Deborah Sloane in Guinevere (1999) among others.
In 2000, Smart's career took a turn for the better when she landed the role of Lorna Lynley (later renamed Lana Gardner) on the hit show Frasier. She went on to win two Emmy Awards for Outstanding Guest Actress in a Comedy Series. In 2001 she was nominated for a Tony Award for her performance in The Man Who Came to Dinner. Soon after she landed roles in several high profile films including Stella Kay Perry in the film Sweet Home Alabama, Kate Sanderson in Bringing Down The House, and Carol in Garden State. She also provided the voice of the alcoholic chain-smoking, Pickles Oblong, on The Oblongs, and played the role of Supervisor of Detectives and ex-wife to Chief Jack Mannion of the Metropolitan Police Department on The District.
From 2002 to 2007 she voiced Dr. Ann Possible in Kim Possible, and in 2004, she was cast in a lead role in the short-lived Center of the Universe, her fourth CBS sitcom, this one co-starring John Goodman and Olympia Dukakis.
In January 2006, Smart joined the cast of 24, playing the mentally unstable First Lady of the United States, Martha Logan, to actor Gregory Itzin's President Charles Logan. She received back-to-back Emmy nominations for Outstanding Supporting Actress in a Drama Series and Outstanding Guest Actress in a Drama for the role in 2006 and 2007.
Smart won the 2008 Emmy Award for Best Supporting Actress in a Comedy Series for portraying Samantha's overbearing mother in the sitcom Samantha Who?, which she played from 2007 to 2009. She later was cast as Hawaii Governor Pat Jameson during the first season of the CBS-TV remake of Hawaii Five-0.
In 2012, Smart was nominated for a Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for her role in Harry's Law.
Read more about this topic: Jean Smart
Famous quotes containing the word career:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating “Low Average Ability,” reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (1889–1945)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)