Film and Television Credits
| Year | Title | Role | Notes |
|---|---|---|---|
| 1980 | The Moroccan Stallion | ||
| 1982 | La Passante du Sans-Souci | ||
| 1983 | Le Dernier Combat | ||
| 1985 | Le téléphone sonne toujours deux fois!! | Marraine 's confidence man | |
| Subway | The Drummer | ||
| 1988 | Le Grand Bleu (The Big Blue) | Enzo Molinari | Nominated - César Award for Best Supporting Actor |
| 1990 | L'Homme au masque d'or | Father Victorio Gaetano | |
| Nikita | Victor, nettoyeur | ||
| 1991 | Loulou Graffiti | Pique la Lune | |
| L'Opération Corned-Beef | Capitaine Philippe Boulier, dit 'Le Squale'/Captain Philippe | ||
| 1992 | Porco Rosso | Porco Rosso | Voice acting for the French dub |
| 1993 | La Vis | Monsieur K | |
| Paranoïa | Short Subject | ||
| Flight from Justice | Charlie Bert | TV | |
| Les Visiteurs | Godefroy de Papincourt, Comte de Montmirail | Nominated - César Award for Best Actor | |
| 1994 | Léon: The Professional | Leone "Léon" Montana | Nominated - César Award for Best Actor |
| 1995 | Les Truffes | Patrick | |
| French Kiss | Inspector Jean-Paul Cardon | ||
| Al di là delle nuvole | Carlo | ||
| 1996 | Mission: Impossible | Franz Krieger | |
| Le Jaguar | Jean Campana | ||
| 1997 | Roseanna's Grave | Marcello | |
| Un amour de sorcière | Molok | ||
| Les Soeurs Soleil | Un spectateur | ||
| 1998 | Les Visiteurs II: Les Couloirs du temps | Comte Godefroy de Montmirail, dit Godefroy | |
| Godzilla | Philippe Roaché | ||
| Ronin | Vincent | ||
| 2000 | Les Rivières pourpres (Crimson Rivers) | Pierre Niemans | Nominated - European Film Award: Jameson People's Choice Award - Best European Actor |
| 2001 | Just Visiting | Count Thibault of Malfete | |
| Wasabi | Hubert Fiorentini | ||
| 2002 | Décalage horaire | Felix | |
| Rollerball | Alexis Petrovich | ||
| 2003 | Tais-toi! | Ruby | |
| 2004 | Onimusha 3: Demon Siege (Capcom-based popular franchise) |
Jacques Blanc | Character model, Voice Videogame |
| Les Rivières pourpres II: Les anges de l'apocalypse (Crimson Rivers II: Angels of the Apocalypse) |
Commissaire Niemans | ||
| Hotel Rwanda | Mr. Tillens | Uncredited | |
| L'Enquête Corse | Ange Leoni | ||
| 2005 | L'Empire des loups (Empire of the Wolves) | Jean-Louis Schiffer | |
| The Tiger and the Snow | Fuad | ||
| 2006 | The Pink Panther | Gilbert Ponton | |
| Flyboys | Captain Thenault | ||
| The Da Vinci Code | Captain Bezu Fache | ||
| Flushed Away | Le Frog | Voice | |
| 2008 | Ca$h | Maxime - Dubreuil | |
| 2009 | The Pink Panther 2 | Gilbert Ponton | |
| Le Premier Cercle | Milo Malakian | ||
| Couples Retreat | Marcel | ||
| Armored | Quinn | ||
| 2010 | The Round Up | Dr. Sheinbaum | |
| The Philosopher | Baggio | ||
| L'immortel (22 Bullets) | Charly Matteï | ||
| 2011 | Margaret | Ramon | |
| The Late Late Show with Craig Ferguson | Himself | Multiple episodes filmed in Paris | |
| 2012 | Fantômas | Juve | |
| Alex Cross | Leon Mercier |
Read more about this topic: Jean Reno
Famous quotes containing the words film and television, film and/or television:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)
“All television ever did was shrink the demand for ordinary movies. The demand for extraordinary movies increased. If any one thing is wrong with the movie industry today, it is the unrelenting effort to astonish.”
—Clive James (b. 1939)