Selected Works
- The Bridge at Narni (1826), Musée du Louvre
- Venise, La Piazetta (1835), Louvre
- Le Baptême du Christ (1845-1847), Paris, Eglise Saint-Nicolas-du Chardonnet.
- Une Matinée (1850), Musée d'Orsay
- Le concert champêtre (1857), Musée Condé, Chantilly
- Macbeth and the Witches (1859), Wallace Collection
- Baigneuses au Bord d'un Lac (1861), private collection
- Meadow by the Swamp, National Museum of Serbia
- Souvenir de Mortefontaine (1864), Louvre
- L'Arbre brisé (1865)
- Ville d'Avray (1867), National Gallery of Art
- Femme Lisant (1869), Metropolitan Museum of Art, New York
- Nymphes et Faunes (before 1870), Birmingham Museum of Art, Alabama
- L'Albanese (1872)
- Pastorale — Souvenir d'Italie (1873), Glasgow Art Gallery
- Biblis (1875)
Read more about this topic: Jean-Baptiste-Camille Corot
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“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”
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“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
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