Selected Works
- The Bridge at Narni (1826), Musée du Louvre
- Venise, La Piazetta (1835), Louvre
- Le Baptême du Christ (1845-1847), Paris, Eglise Saint-Nicolas-du Chardonnet.
- Une Matinée (1850), Musée d'Orsay
- Le concert champêtre (1857), Musée Condé, Chantilly
- Macbeth and the Witches (1859), Wallace Collection
- Baigneuses au Bord d'un Lac (1861), private collection
- Meadow by the Swamp, National Museum of Serbia
- Souvenir de Mortefontaine (1864), Louvre
- L'Arbre brisé (1865)
- Ville d'Avray (1867), National Gallery of Art
- Femme Lisant (1869), Metropolitan Museum of Art, New York
- Nymphes et Faunes (before 1870), Birmingham Museum of Art, Alabama
- L'Albanese (1872)
- Pastorale — Souvenir d'Italie (1873), Glasgow Art Gallery
- Biblis (1875)
Read more about this topic: Jean-Baptiste-Camille Corot
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“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
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