Public Works and Monuments
Over the 30 some years of his reign, Jayavarman embarked on a grand program of construction that included both public works and monuments. As a Mahayana Buddhist, his declared aim was to alleviate the suffering of his people. One inscription tells us, "He suffered from the illnesses of his subjects more than from his own; the pain that affected men's bodies was for him a spiritual pain, and thus more piercing." This declaration must be read in light of the undeniable fact that the numerous monuments erected by must have required the labor of thousands of workers, and that Jayavarman's reign was marked by the centralization of the state and the herding of people into ever greater population centers.
Historians have identified three stages in Jayavarman's building program. In the first stage, he focussed on useful constructions, such as hospitals, rest houses along the roads, and reservoirs. Thereafter, he built a pair of temples in honor of his parents: Ta Prohm in honor of his mother and Preah Khan in honor of his father. Finally, he constructed his own "temple-mountain" at Bayon and developed the city of Angkor Thom around it. He also built Neak Pean ("Coiled Serpent"), one of the smallest but most beautiful temples in the Angkor complex, a fountain with four surrounding ponds set on an island in that artificial lake.
Read more about this topic: Jayavarman VII
Famous quotes containing the words public, works and/or monuments:
“Oh Death he is a little man,
And he goes from do’ to do’ ...”
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.”
—Leon Trotsky (1879–1940)