Public Works and Monuments
Over the 30 some years of his reign, Jayavarman embarked on a grand program of construction that included both public works and monuments. As a Mahayana Buddhist, his declared aim was to alleviate the suffering of his people. One inscription tells us, "He suffered from the illnesses of his subjects more than from his own; the pain that affected men's bodies was for him a spiritual pain, and thus more piercing." This declaration must be read in light of the undeniable fact that the numerous monuments erected by must have required the labor of thousands of workers, and that Jayavarman's reign was marked by the centralization of the state and the herding of people into ever greater population centers.
Historians have identified three stages in Jayavarman's building program. In the first stage, he focussed on useful constructions, such as hospitals, rest houses along the roads, and reservoirs. Thereafter, he built a pair of temples in honor of his parents: Ta Prohm in honor of his mother and Preah Khan in honor of his father. Finally, he constructed his own "temple-mountain" at Bayon and developed the city of Angkor Thom around it. He also built Neak Pean ("Coiled Serpent"), one of the smallest but most beautiful temples in the Angkor complex, a fountain with four surrounding ponds set on an island in that artificial lake.
Read more about this topic: Jayavarman VII
Famous quotes containing the words public, works and/or monuments:
“All appointments hurt. Five friends are made cold or hostile for every appointment; no new friends are made. All patronage is perilous to men of real ability or merit. It aids only those who lack other claims to public support.”
—Rutherford Birchard Hayes (1822–1893)
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (1921–1988)
“If the Revolution has the right to destroy bridges and art monuments whenever necessary, it will stop still less from laying its hand on any tendency in art which, no matter how great its achievement in form, threatens to disintegrate the revolutionary environment or to arouse the internal forces of the Revolution, that is, the proletariat, the peasantry and the intelligentsia, to a hostile opposition to one another. Our standard is, clearly, political, imperative and intolerant.”
—Leon Trotsky (1879–1940)