Jay Ferguson (American Musician) - Childhood and Early Musical Career

Childhood and Early Musical Career

He was born John Arden Ferguson in Burbank, California, in the San Fernando Valley. He grew up in the Van Nuys and Canoga Park sections of Los Angeles. When Ferguson was twelve, his parents encouraged his musical abilities with classical piano lessons. When he was sixteen, Ferguson's interest transferred to the banjo. Along with his brother Tom, an accomplished fiddle player, he formed a bluegrass group called The Oat Hill Stump Straddlers including Michael Fondiler and Steve Fondiler. Ferguson was a member of local garage bands, Western Union and The Red Roosters.

He also held part-time jobs at different points as a theater usher and architect's assistant for his father John Ferguson, taught piano in a music store, and studied at UCLA after high school.

Read more about this topic:  Jay Ferguson (American Musician)

Famous quotes containing the words childhood and, childhood, early, musical and/or career:

    Childhood and youth are ends in themselves, not stages.
    Friedrich Nietzsche (1844–1900)

    Modern children were considerably less innocent than parents and the larger society supposed, and postmodern children are less competent than their parents and the society as a whole would like to believe. . . . The perception of childhood competence has shifted much of the responsibility for child protection and security from parents and society to children themselves.
    David Elkind (20th century)

    Although good early childhood programs can benefit all children, they are not a quick fix for all of society’s ills—from crime in the streets to adolescent pregnancy, from school failure to unemployment. We must emphasize that good quality early childhood programs can help change the social and educational outcomes for many children, but they are not a panacea; they cannot ameliorate the effects of all harmful social and psychological environments.
    Barbara Bowman (20th century)

    Fifty million Frenchmen can’t be wrong.
    —Anonymous. Popular saying.

    Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.

    I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.
    Margaret S. Mahler (1897–1985)