Repertoire
Horenstein is particularly remembered as a champion of modern music and as a Mahler conductor, although his repertory as shown by discographies was quite wide. In 1929 he conducted the premiere of three movements of Alban Berg's Lyric Suite in an arrangement for string orchestra. In 1950, he conducted the first Paris performance of Berg's Wozzeck.
Horenstein conducted the works of Bruckner and Mahler throughout his career, and he also displayed ongoing interest in Carl Nielsen, whom he knew personally, at a time when these composers were unfashionable. For example, his 1952 Vox recording of Mahler's Symphony No. 9 was the first studio recording, and the second commercial record, of that work. Several years later, he recorded the original version of Bruckner's Symphony No. 9. He made studio recordings of several of Mahler's symphonies at various points in his career, including Symphonies Nos. 1 and 3 with the London Symphony Orchestra. A number of radio archives hold broadcast airchecks of many of the other Mahler symphonies, as well as Das Lied von der Erde. In recent years, several of Horenstein's concert performances have been reissued on the BBC Legends label, including his celebrated 1959 Royal Albert Hall performance of Mahler's Symphony No. 8 and his 1972 Manchester performance of Mahler's Das Lied von der Erde.
Horenstein also recorded Robert Simpson's Third Symphony and music by Paul Hindemith and Richard Strauss during the last few years of his life. His opera recordings included Nielsen's Saul og David. His final operatic, and British, engagement was his March 1973 performances at the Royal Opera House, Covent Garden of Richard Wagner's Parsifal.
It was during a performance of Nielsen's Fifth Symphony in Minneapolis in 1971 that Horemnstein suffered a heart attack and was caught in mid-air by the leader of the orchestra. Though warned by his doctors to reduce his workload, he continued to conduct. At the time of his death, he was planning to conduct Mahler's Fifth, Sixth and Seventh.
Read more about this topic: Jascha Horenstein
Famous quotes containing the word repertoire:
“For good teaching rests neither in accumulating a shelfful of knowledge nor in developing a repertoire of skills. In the end, good teaching lies in a willingness to attend and care for what happens in our students, ourselves, and the space between us. Good teaching is a certain kind of stance, I think. It is a stance of receptivity, of attunement, of listening.”
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