Jaroslav Seifert - Works

Works

  • Město v slzách (1921)
  • Samá láska (1923)
  • Na vlnách TSF (1925)
  • Slavík zpívá špatně (1926)
  • Básně (1929)
  • Poštovní holub (1929)
  • Hvězdy nad Rajskou zahradou (1929)
  • Jablko z klína (1933)
  • Ruce Venušiny (1936)
  • Jaro sbohen (1937)
  • Zhasněte světla (1938)
  • Vějíř Boženy Němcové (1940)
  • Světlem oděná (1940)
  • Kamenný most (1944)
  • Přilba z hlíny (1945)
  • Ruka a plamen (1948)
  • Šel malíř chudě do světa (1949)
  • Píseň o Viktorce (1950)
  • Maminka (1954)
  • Chlapec a hvězdy (1956)
  • Praha a Věnec sonetů (1956)
  • Zrnka révy (1965)
  • Koncert na ostrově (1965)
  • Odlévání zvonů (1967)
  • Halleyova kometa (1967)
  • Kniha o Praze (1968)
  • Morový sloup (1968–1970)
  • Deštník z Picadilly (1979)
  • Všecky krásy světa (1979)
  • Býti básníkem (1983)

Read more about this topic:  Jaroslav Seifert

Famous quotes containing the word works:

    “I shall not bring an automobile with me. These inventions infest France almost as much as Bloomer cycling costumes, but they make a horrid racket, and are particularly objectionable. So are the Bloomers. Nothing more abominable has ever been invented. Perhaps the automobile tricycles may succeed better, but I abjure all these works of the devil.”
    —Henry Brooks Adams (1838–1918)

    “There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.”
    —Ralph Waldo Emerson (1803–1882)

    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)