Janet Leigh - Career

Career

Leigh made her film debut in the big budget film The Romance of Rosy Ridge in 1947, as the romantic interest of Van Johnson's character. She got the role when performing Phyllis Thaxter's long speech in Thirty Seconds Over Tokyo (1944) for the head of the studio talent department in 1946. During the shooting, Leigh's name was first changed to 'Jeanette Reames', then to 'Janet Leigh' and finally back to her birth name 'Jeanette Morrison', because 'Janet Leigh' resembled Vivien Leigh too much. However, Johnson did not like the name and it was finally changed back to 'Janet Leigh'. Leigh initially left college for a film career, but enrolled in night school at the University of Southern California in 1947.

Immediately after the film's release, Leigh was cast opposite Walter Pidgeon and Deborah Kerr in If Winter Comes (1947) in the summer of 1947. Furthermore, due to the box office success of The Romance of Rosy Ridge, Leigh and Johnson were teamed up again in a film project called The Life of Monty Stratton in August 1947. The project was eventually shelved and released in 1949 as The Stratton Story, starring James Stewart and June Allyson. Another film that Leigh was set to star in, before being replaced, was Alias a Gentleman, in which she was cast in April 1947. By late 1947, Leigh was occupied with the shooting of the Lassie film Hills of Home (1948), the first film in which she received star billing.

In late 1948, Leigh was hailed the 'No. 1 glamor girl' of Hollywood, although known for her polite, generous and down-to-earth persona.

Many movies followed, notably the title role in the musical comedy My Sister Eileen, co-starring Jack Lemmon, Betty Garrett and Dick York. She proved versatile, starring in films as diverse as the baseball farce Angels in the Outfield in 1951 and the tense western The Naked Spur in 1953.

Her initial roles were ingenues based on characters from historical literature, for example in Scaramouche opposite Stewart Granger. By 1958, she moved to more complex roles.

She co-starred with third husband Tony Curtis in five films, Houdini (1953), The Black Shield of Falworth (1954), The Vikings (1958), The Perfect Furlough (1958), and Who Was That Lady? (1960).

In 1958, Leigh starred in the Orson Welles film-noir classic Touch of Evil (1958).

Her best-known performance was as "Marion Crane" in the Alfred Hitchcock film Psycho (1960). The fact that the star died early in the movie violated narrative conventions of the time. She received a Golden Globe Award for Best Supporting Actress and was nominated for the Academy Award for Best Supporting Actress.

Leigh had starring roles in many other films, including The Manchurian Candidate (1962) with Frank Sinatra, and Bye Bye Birdie (1963) based on the hit Broadway show.

In 1975, Leigh played a retired Hollywood song and dance star opposite Peter Falk and John Payne in the Columbo episode Forgotten Lady. The episode utilizes footage of Leigh from the film Walking My Baby Back Home (1953). Some of her TV appearances include The Man From U.N.C.L.E. two-part episode, "The Concrete Overcoat Affair", in 1966, and the Murder, She Wrote 1987 episode, "Doom with a View". She also appeared in two horror films with her daughter, Jamie Lee Curtis, playing a major role in The Fog (1980), and making a brief appearance in Halloween H20: 20 Years Later (1998).

Leigh is also the author of four books. Her first, the memoir There Really Was a Hollywood, was a New York Times bestseller. This was followed by the novels House of Destiny and The Dream Factory and the non-fiction book Psycho: Behind the Scenes of the Classic Thriller. Leigh's daughter Jamie Lee Curtis is also an actress and popular author.

Read more about this topic:  Janet Leigh

Famous quotes containing the word career:

    I restore myself when I’m alone. A career is born in public—talent in privacy.
    Marilyn Monroe (1926–1962)

    Clearly, society has a tremendous stake in insisting on a woman’s natural fitness for the career of mother: the alternatives are all too expensive.
    Ann Oakley (b. 1944)

    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)