Stage Work
- Allegro (1951) (Detroit)
- Oklahoma! (1958) (Music Hall at Fair Park)
- My Fair Lady (1969) (Cincinnati, Ohio)
- My Fair Lady (1971) (US national tour)
- Meet Me in St. Louis (1972) (Cincinnati, Ohio)
- The Sound of Music (1972) (The Muny)
- Irene (1974) (Broadway and US national tour) (replacement for Debbie Reynolds)
- Seven Brides for Seven Brothers (1978) (closed on the road)
- I Do! I Do! (1980) (Valley Forge Music Fair)
- Sweethearts (1983) (The Town Hall)
- 70, Girls, 70 (2000) (Off-Broadway)
- Bounce (2003) (Chicago and Washington DC)
- Bounce' (2004) (Broadway) (opening eventually cancelled)
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“I must ... warn my readers that my attacks are directed against themselves, not against my stage figures.”
—George Bernard Shaw (1856–1950)
“We ought, says Kant, to become acquainted with the instrument, before we undertake the work for which it is to be employed; for if the instrument be insufficient, all our trouble will be spent in vain. The plausibility of this suggestion has won for it general assent and admiration.... But the examination can be only carried out by an act of knowledge. To examine this so-called instrument is the same as to know it.”
—Georg Wilhelm Friedrich Hegel (1770–1831)