James Salter - Works

Works

  • The Hunters (novel, 1957; revised and reissued, 1997)
  • The Arm of Flesh (novel, 1961; republished as Cassada, 2000)
  • A Sport And A Pastime (novel, 1967)
  • Downhill Racer (screenplay, 1969)
  • The Appointment (screenplay, 1969)
  • Three (screenplay, 1969; also directed)
  • Light Years (novel, 1975)
  • Solo Faces (novel, 1979)
  • Threshold (screenplay, 1981)
  • Dusk and Other Stories (short stories, 1988; PEN/Faulkner Award 1989)
  • Still Such (poetry, 1988)
  • Burning the Days (memoir, 1997)
  • Gods of Tin (compilation memoir, 2004; selections from The Hunters, Cassada, and Burning the Days)
  • Last Night (short stories, 2005)
  • There and Then: The Travel Writing of James Salter (essays, 2005)
  • Life Is Meals: A Food Lover's Book of Days (with wife Kay Eldredge, 2006)
  • "My Lord You" and "Palm Court" (2006)
  • All That Is (2013)

Read more about this topic:  James Salter

Famous quotes containing the word works:

    “Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
    —Mary Baker Eddy (1821–1910)

    “One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
    —Benjamin Haydon (1786–1846)

    “Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
    —Thomas Mann (1875–1955)