Films
The following films were adapted from Cain's novels and stories.
- She Made Her Bed, USA, 1934, directed by Ralph Murphy (story "The Baby in the Icebox")
- Wife, Husband and Friend, USA, 1939, directed by Gregory Ratoff (story "Two Can Sing", also known as "Career in C Major")
- Le Dernier tournant, France, 1939, directed by Pierre Chenal (novel The Postman Always Rings Twice)
- When Tomorrow Comes (The Modern Cinderella in some publicity material), USA, 1939, directed by John M. Stahl (novel The Root of His Evil)
- Ossessione, Italy, 1943, directed by Luchino Visconti (novel The Postman Always Rings Twice, uncredited)
- Double Indemnity, USA, 1944, directed by Billy Wilder
- Gypsy Wildcat, USA, 1944 - an original script
- Mildred Pierce, USA, 1945, directed by Michael Curtiz
- The Postman Always Rings Twice, USA, 1946, directed by Tay Garnett
- Everybody Does It, USA, 1949, directed by Edmund Goulding (story "Two Can Sing", also known as "Career in C Major")
- Slightly Scarlet, USA, 1956, directed by Allan Dwan (novel Love's Lovely Counterfeit)
- Serenade, USA, 1956, directed by Anthony Mann
- Interlude, USA, 1957, directed by Douglas Sirk
- Interlude, USA, 1968, directed by Kevin Billington
- The Postman Always Rings Twice, USA, 1981, directed by Bob Rafelson
- Butterfly, USA, 1982, directed by Matt Cimber
- Girl in the Cadillac, USA, 1995, directed by Lucas Platt (novel The Enchanted Isle)
- Mildred Pierce, USA, 2011, directed by Todd Haynes
Read more about this topic: James M. Cain
Famous quotes containing the word films:
“Right now I think censorship is necessary; the things theyre doing and saying in films right now just shouldnt be allowed. Theres no dignity anymore and I think thats very important.”
—Mae West (18921980)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”
—Susan Sontag (b. 1933)