James Joyce Tower And Museum
The James Joyce Tower and Museum is a Martello tower in Sandycove, Dublin, where James Joyce spent six nights in 1904. The tower was leased from the British War Office by Joyce's university friend Oliver St. John Gogarty, with the purpose of "Hellenising" Ireland. Joyce left after an incident in which Gogarty fired a gun in his direction.
The opening scenes of Ulysses are set the morning after this incident. Gogarty is immortalised as "Stately, plump Buck Mulligan" (the opening words of the novel).
The tower now contains a museum dedicated to Joyce and displays some of his possessions and other ephemera associated with Ulysses (e.g. an empty pot of "Plumtree's Potted Meat"). The living space is set up to resemble its 1904 appearance (with a ceramic panther to represent one seen in a dream by a resident). It is a place of pilgrimage for Joyce enthusiasts, especially on Bloomsday.
The Tower became a museum through the efforts of the Dublin artist, John Ryan. Ryan also rescued the front door to 7 Eccles Street (now at the James Joyce Centre) from demolition and organised, with Brian O'Nolan, the first Bloomsday Celebration in 1954.
Read more about James Joyce Tower And Museum: Further Reading, Opening Hours
Famous quotes containing the words james, joyce, tower and/or museum:
“Fowls in the frith,
Fishes in the flood,
And I must wax wod:
Much sorrow I walk with
For best of bone and blood.”
—Unknown. Fowls in the Frith. . .
Oxford Book of Short Poems, The. P. J. Kavanagh and James Michie, eds. Oxford University Press.
“Exile as a mode of genius no longer exists; in place of Joyce we have the fragments of work appearing in Index on Censorship.”
—Nadine Gordimer (b. 1923)
“So was produced this tragedy
In a far tower of ivory
Where, O young men, late in the night
All you who drink light and stroke the air
Come back, seeking the night, and cry
To strict Rapunzel to let down her hair.”
—Allen Tate (1899–1979)
“One can think of life after the fish is in the canoe.”
—Hawaiian saying no. 23, ‘lelo No’Eau, collected, translated, and annotated by Mary Kawena Pukui, Bishop Museum Press, Hawaii (1983)