Works
His style is often bombastic, but he displays a rare appreciation of natural beauty, and his simple piety made him many friends. His earliest work, Meditations and Contemplations, said to have been modelled on Robert Boyle's Occasional Reflexions on various Subjects, within fourteen years passed through as many editions.
Theron and Aspasio, or a series of Letters upon the most important and interesting Subjects, which appeared in 1755, and was equally well received, called forth some adverse criticism even from Calvinists, on account of tendencies which were considered to lead to antinomianism, and was strongly objected to by Wesley in his Preservative against unsettled Notions in Religion. Besides carrying into England the theological disputes to which the Marrow of Modern Divinity had given rise in Scotland (the Marrow Controversy), it also led to what is known as the Sandemanian controversy as to the nature of saving faith.
A new and complete edition of his Works, with a memoir, appeared in 1797. See also Collection of the Letters of James Hervey, to which is prefixed an account of his Life and Death, by Thomas Birch (1760).
Read more about this topic: James Hervey
Famous quotes containing the word works:
“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
—Ralph Waldo Emerson (1803–1882)
“The discovery of Pennsylvania’s coal and iron was the deathblow to Allaire. The works were moved to Pennsylvania so hurriedly that for years pianos and the larger pieces of furniture stood in the deserted houses.”
—For the State of New Jersey, U.S. public relief program (1935-1943)
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)