Works
His style is often bombastic, but he displays a rare appreciation of natural beauty, and his simple piety made him many friends. His earliest work, Meditations and Contemplations, said to have been modelled on Robert Boyle's Occasional Reflexions on various Subjects, within fourteen years passed through as many editions.
Theron and Aspasio, or a series of Letters upon the most important and interesting Subjects, which appeared in 1755, and was equally well received, called forth some adverse criticism even from Calvinists, on account of tendencies which were considered to lead to antinomianism, and was strongly objected to by Wesley in his Preservative against unsettled Notions in Religion. Besides carrying into England the theological disputes to which the Marrow of Modern Divinity had given rise in Scotland (the Marrow Controversy), it also led to what is known as the Sandemanian controversy as to the nature of saving faith.
A new and complete edition of his Works, with a memoir, appeared in 1797. See also Collection of the Letters of James Hervey, to which is prefixed an account of his Life and Death, by Thomas Birch (1760).
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“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
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