Works
His style is often bombastic, but he displays a rare appreciation of natural beauty, and his simple piety made him many friends. His earliest work, Meditations and Contemplations, said to have been modelled on Robert Boyle's Occasional Reflexions on various Subjects, within fourteen years passed through as many editions.
Theron and Aspasio, or a series of Letters upon the most important and interesting Subjects, which appeared in 1755, and was equally well received, called forth some adverse criticism even from Calvinists, on account of tendencies which were considered to lead to antinomianism, and was strongly objected to by Wesley in his Preservative against unsettled Notions in Religion. Besides carrying into England the theological disputes to which the Marrow of Modern Divinity had given rise in Scotland (the Marrow Controversy), it also led to what is known as the Sandemanian controversy as to the nature of saving faith.
A new and complete edition of his Works, with a memoir, appeared in 1797. See also Collection of the Letters of James Hervey, to which is prefixed an account of his Life and Death, by Thomas Birch (1760).
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Famous quotes containing the word works:
“No one after lighting a lamp puts it under the bushel basket, but on the lampstand, and it gives light to all in the house. In the same way, let your light shine before others, so that they may see your good works and give glory to your Father in heaven.”
—Bible: New Testament, Matthew 5:15,16.
“... no one who has not been an integral part of a slaveholding community, can have any idea of its abominations.... even were slavery no curse to its victims, the exercise of arbitrary power works such fearful ruin upon the hearts of slaveholders, that I should feel impelled to labor and pray for its overthrow with my last energies and latest breath.”
—Angelina Grimké (18051879)
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (18551916)