James Gurney - Work

Work

Gurney's freelance illustration career began in the 1980s, during which time he developed his characteristic realistic renderings of fantastic scenes, painted in oil using methods similar to the academic realists and Golden Age illustrators. He painted more than 70 covers for science fiction and fantasy paperback novels, and he created several stamp designs for the US Postal Service, most notably The World of Dinosaurs in 1996.

Starting in 1983, he began work on over a dozen assignments for National Geographic Magazine, including reconstructions of the ancient Moche, Kushite, and Etruscan civilizations, and the Jason and Ulysses voyages for Tim Severin.

The inspiration that came from researching these archaeological reconstructions led to a series of lost world panoramas, including Waterfall City (1988) and Dinosaur Parade (1989). With the encouragement of retired publishers Ian and Betty Ballantine, he discontinued his freelance work and committed two years’ time to writing and illustrating Dinotopia: A Land Apart from Time, which was published in 1992. The book landed on the New York Times Best Seller List, and won Hugo, World Fantasy, Chesley, Spectrum, and Colorado Children’s Book awards. It has sold over a million copies and has been translated into 18 languages.

Sequels to Dinotopia that are both written and illustrated by Gurney include Dinotopia: The World Beneath (1995), Dinotopia: First Flight (1999), and Dinotopia: Journey to Chandara (2007). Original artwork by Gurney from the Dinotopia books has been exhibited at the National Museum of Natural History of the Smithsonian Institution and the Norman Rockwell Museum, and is currently on tour to museums in the USA and Europe.

Most recently, he has written two art instruction books Imaginative Realism (2009), a book about drawing and painting things that don't exist, and Color and Light: A Guide for the Realist Painter (2010).

Read more about this topic:  James Gurney

Famous quotes containing the word work:

    The truth is, the Science of Nature has been already too long made only a work of the brain and the fancy: It is now high time that it should return to the plainness and soundness of observations on material and obvious things.
    Robert Hooke (1635–1703)

    I suspect that American workers have come to lack a work ethic. They do not live by the sweat of their brow.
    Kiichi Miyazawa (b. 1919)

    ... married women work and neglect their children because the duties of the homemaker become so depreciated that women feel compelled to take a job in order to hold the respect of the community. It is one thing if women work, as many of them must, to help support the family. It is quite another thing—it is destructive of woman’s freedom—if society forces her out of the home and into the labor market in order that she may respect herself and gain the respect of others.
    Agnes E. Meyer (1887–1970)