Career
Jah Shaka started out on the Freddie Cloudburst Sound System as an operator, before setting up his own sound system. By the late 1970s Shaka's system rapidly had gained a large and loyal following due to the combination of spiritual content, high energy rhythms, massive sonority, and his dynamic personal style. That following notably included many of the pioneers of post-punk such as Public Image Ltd and The Slits.
In 1980 Shaka played himself in the film Babylon (directed by Franco Rosso, although he directed the scene he appeared in), operating his Sound System in a soundclash at the climax of the story.
Shaka stayed true to his spiritual and distinct musical style during the 1980s when many other Sound Systems had started to follow the Jamaican trend towards playing less orthodox styles tending towards slack dancehall music.
In 1989 Shaka visited Jamaica and worked with many musicians there, including King Tubby.
On 23 September 2000 he suffered numerous injuries during a house fire.
In 2002 Jah Shaka appeared before a large crowd in New York City's Central Park.
Live footage of Shaka is featured in the documentary All Tomorrow's Parties based on the musical festival, which was released in 2009.
The Jah Shaka Sound System continues to appear regularly in London, with occasional tours of the United States, Europe and Japan.
Read more about this topic: Jah Shaka
Famous quotes containing the word career:
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)
“A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)