Jacques-Louis David - Gallery

Gallery

  • Belisarius (1781), Musée de Beaux Arts, Lille

  • Andromache mourns Hector (1783), Musée du Louvre, Paris

  • The Death of Socrates (1787), Metropolitan Museum of Art, New York

  • Portrait of Antoine-Laurent Lavoisier and his wife (1788), Metropolitan Museum of Art, New York

  • Paris and Helen (1788), Musée du Louvre, Paris (detail)

  • The Lictors Bring to Brutus the Bodies of His Sons (1789), Musée du Louvre, Paris

  • Portrait of Anne-Marie-Louise Thélusson, Comtesse de Sorcy (1790), Neue Pinakothek, Munich

  • The Death of Marat (1793), Royal Museums of Fine Arts of Belgium, Brussels

  • Portrait of Madame de Verninac, (1798–1799), born Henriette Delacroix, elder sister of Eugène Delacroix, Musée du Louvre, Paris

  • Madame Récamier (1800), Musée du Louvre, Paris

  • Portrait of Jean Auguste Dominique Ingres, or Portrait of Georges Rouget, 1800

  • Portrait of Pope Pius VII (1805), Musée du Louvre, Paris

  • The Coronation of Napoleon, (1806), Musée du Louvre, Paris

  • Full length portrait of Napoleon standing|Napoleon in His Study (1812), National Gallery of Art, Washington, D.C.

  • Marguerite-Charlotte David (1813), National Gallery of Art, Washington, D.C.

  • Leonidas at Thermopylae (1814), Musée du Louvre, Paris

  • Étienne-Maurice Gérard (1816), Metropolitan Museum of Art, New York

  • The Comtesse Vilain XIIII and Her Daughter (1816), National Gallery, London

  • Cupid and Psyche (1817), Cleveland Museum of Art

  • The Anger of Achilles (1825), Private Collection

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Famous quotes containing the word gallery:

    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)

    “Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
    —Henry David Thoreau (1817–1862)