Jacques-Louis David - Gallery

Gallery

  • Belisarius (1781), Musée de Beaux Arts, Lille

  • Andromache mourns Hector (1783), Musée du Louvre, Paris

  • The Death of Socrates (1787), Metropolitan Museum of Art, New York

  • Portrait of Antoine-Laurent Lavoisier and his wife (1788), Metropolitan Museum of Art, New York

  • Paris and Helen (1788), Musée du Louvre, Paris (detail)

  • The Lictors Bring to Brutus the Bodies of His Sons (1789), Musée du Louvre, Paris

  • Portrait of Anne-Marie-Louise Thélusson, Comtesse de Sorcy (1790), Neue Pinakothek, Munich

  • The Death of Marat (1793), Royal Museums of Fine Arts of Belgium, Brussels

  • Portrait of Madame de Verninac, (1798–1799), born Henriette Delacroix, elder sister of Eugène Delacroix, Musée du Louvre, Paris

  • Madame Récamier (1800), Musée du Louvre, Paris

  • Portrait of Jean Auguste Dominique Ingres, or Portrait of Georges Rouget, 1800

  • Portrait of Pope Pius VII (1805), Musée du Louvre, Paris

  • The Coronation of Napoleon, (1806), Musée du Louvre, Paris

  • Full length portrait of Napoleon standing|Napoleon in His Study (1812), National Gallery of Art, Washington, D.C.

  • Marguerite-Charlotte David (1813), National Gallery of Art, Washington, D.C.

  • Leonidas at Thermopylae (1814), Musée du Louvre, Paris

  • Étienne-Maurice Gérard (1816), Metropolitan Museum of Art, New York

  • The Comtesse Vilain XIIII and Her Daughter (1816), National Gallery, London

  • Cupid and Psyche (1817), Cleveland Museum of Art

  • The Anger of Achilles (1825), Private Collection

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Famous quotes containing the word gallery:

    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.”
    —Herman Melville (1819–1891)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)