Jacobaea Vulgaris - Literature, Poetry and Mythology

Literature, Poetry and Mythology

The Greek physician Dioscorides (c.40-90 CE) recommended the herb. The two "fathers" of herbalism, Gerard and Culpeper, also recommended the herb.

The poet John Clare had a more positive opinion of the plant, as revealed in this poem of 1831:

Ragwort thou humble flower with tattered leaves
I love to see thee come & litter gold...
Thy waste of shining blossoms richly shields
The sun tanned sward in splendid hues that burn
So bright & glaring that the very light
Of the rich sunshine doth to paleness turn
& seems but very shadows in thy sight.

Josephine Kermode (1852–1937) wrote the following poem about the Cushag.

"The Cushag"

Now, the Cushag, we know,
Must never grow,
Where the farmer's work is done.
But along the rills,
In the heart of the hills,
The Cushag may shine like the sun.
Where the golden flowers,
Have fairy powers,
To gladden our hearts with their grace.
And in Vannin Veg Veen,
In the valleys green,
The Cushags have still a place.

(Vannin Veg Veen is Manx for dear little Isle of Man)

Donald Macalastair of Druim-a-ghinnir on the Isle of Arran told a story of the fairies journeying to Ireland. The ragwort was their transport and every one of them picked a plant, sat astride and arrived in Ireland in an instant.

Read more about this topic:  Jacobaea Vulgaris

Famous quotes containing the words poetry and/or mythology:

    I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.
    Muriel Rukeyser (1913–1980)

    Love, love, love—all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.
    Germaine Greer (b. 1939)