Criticism
Riis's sincerity for social reform has seldom been questioned, though critics have questioned his right to interfere with the lives and choices of others. His audience comprised middle class reformers, and critics say that he had no love for the traditional life styles of the people he portrayed. Stange (1989) argues that Riis "recoiled from workers and working-class culture" and appealed primarily to the anxieties and fears of his middle class audience. Swienty (2008) says "Riis was quite impatient with most of his fellow immigrants; he was quick to judge and condemn those who failed to assimilate, and he did not refrain from expressing his contempt." Gurock (1981) says Riis was insensitive to the needs and fears of East European Jewish immigrants who flooded into New York at this time. Economist Thomas Sowell (2001) argues that immigrants during Riis's time were typically willing to live in cramped, unpleasant circumstances as a deliberate short-term strategy that allowed them to save more than half their earnings to help family members come to America, with every intention of relocating to more comfortable lodgings eventually. Many tenement renters physically resisted the well-intentioned relocation efforts of reformers like Riis, states Sowell, because other lodgings were too costly to allow for the high rate of savings possible in the tenements. Moreover, according to Sowell, Riis's own personal experiences were the rule rather than the exception during his era: like most immigrants and low-income persons, he lived in the tenements only temporarily before gradually earning more income and relocating to different lodgings.
Riis's depictions of various ethnic groups can be harsh. As portrayed in Riis's books, "The Jews are nervous and inquisitive, the Orientals are sinister, the Italians are unsanitary."
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