Literary Work
The first work Jacob Grimm published, Über den altdeutschen Meistergesang (1811), was of a purely literary character. Yet even in this essay Grimm showed that Minnesang and Meistergesang were really one form of poetry, of which they merely represented different stages of development, and also announced his important discovery of the invariable division of the Lied into three strophic parts.
Grimm's text-editions were mostly prepared in conjunction with his brother. In 1812 they published the two ancient fragments of the Hildebrandslied and the Weißenbrunner Gebet, Jacob having discovered what till then had never been suspected — namely the alliteration in these poems. However, Jacob had little taste for text editing, and, as he himself confessed, working on a critical text gave him little pleasure. He therefore left this department to others, especially Lachmann, who soon turned his brilliant critical genius, trained in the severe school of classical philology, to Old and Middle High German poetry and metre.
Both Brothers were attracted from the beginning by all national poetry, whether in the form of epics, ballads or popular tales. They published In 1816–1818 a collection of legends culled from diverse sources and published the two-volume Deutsche Sagen (German Legends). At the same time they collected all the folktales they could find, partly from the mouths of the people, partly from manuscripts and books, and published in 1812–1815 the first edition of those Kinder- und Hausmärchen (Children's and Household Tales), which has carried the name of the brothers Grimm into every household of the western world. The closely related subject of the satirical beast epic of the Middle Ages also held great charm for Jacob Grimm, and he published an edition of the Reinhart Fuchs in 1834. His first contribution to mythology was the first volume of an edition of the Eddaic songs, undertaken jointly with his brother, and was published in 1815. However, this work was not followed by any others on the subject.
The first edition of his Deutsche Mythologie (German Mythology) appeared in 1835. This great work covered the whole range of the subject, tracing the mythology and superstitions of the old Teutons back to the very dawn of direct evidence, and following their evolution to modern-day popular traditions, tales, and expressions.
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