On Television
A television movie called Gleason was aired by CBS on October 13, 2002, taking a deeper look into Gleason's life; although it took liberties with some of the Gleason story, it featured his troubled home life (a side of Gleason that few had previously known). The film also showed backstage scenes from his best-known work. Brad Garrett of Everybody Loves Raymond portrayed Gleason after Mark Addy dropped out. Garrett was made up to resemble Gleason in his prime. His height—6 feet 8 inches (2.03 m), about 8 inches (20 cm) taller than Gleason—created logistical problems on the sets, which were designed so Garrett did not tower over everyone else. Cast members wore platform shoes when standing next to him; the shoes can be seen on Alice in one shot during a Honeymooners sequence.
In 2003, after an absence of more than 30 years, the color musical versions of The Honeymooners from the 1960s Jackie Gleason Show in Miami Beach were returned to television on the GoodLife TV (now ALN) cable network. In 2005, a movie version of The Honeymooners appeared in theaters with a twist: a primarily African-American cast, headed by Cedric the Entertainer. This version, however, bore only a passing resemblance to Gleason's original series and was panned by critics.
Actor-playwright Jason Miller, Gleason's former son-in-law, was writing a screenplay based on Gleason's life that was to star Paul Sorvino at the time of Miller's death. Gleason's daughter, Linda Miller, was also an actress.
Sean Cullen played a small role as Gleason in the 2002 made-for-TV movie Martin and Lewis.
Read more about this topic: Jackie Gleason
Famous quotes containing the word television:
“Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.”
—Ellen Galinsky (20th century)
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)