Jack The Ripper - Legacy

Legacy

The nature of the murders and of the victims drew attention to the poor living conditions in the East End, and galvanised public opinion against the overcrowded, unsanitary slums. In the two decades after the murders, the worst of the slums were cleared and demolished, but the streets and some buildings survive and the legend of the Ripper is still promoted by guided tours of the murder sites. The Ten Bells public house in Commercial Street was frequented by at least one of the victims and was the focus of such tours for many years.

In the immediate aftermath of the murders, and later, "Jack the Ripper became the children's bogey man." Depictions were often phantasmic or monstrous. In the 1920s and 1930s, he was depicted in film dressed in everyday clothes as a man with a hidden secret preying on his unsuspecting victims; atmosphere and evil were suggested through lighting effects and shadowplay. By the 1960s, the Ripper had become "the symbol of a predatory aristocracy", and was portrayed in a top hat dressed as a gentleman. The Establishment as a whole became the villain with the Ripper acting as a manifestation of upper-class exploitation. The image of the Ripper merged with or borrowed symbols from horror stories, such as Dracula's cloak or Victor Frankenstein's organ harvest. The fictional world of the Ripper can fuse with multiple genres, ranging from Sherlock Holmes to Japanese erotic horror.

In addition to the contradictions and unreliability of contemporary accounts, attempts to identify the real killer are hampered by the lack of surviving forensic evidence. DNA analysis on extant letters is inconclusive; the available material has been handled many times and is too contaminated to provide meaningful results.

Jack the Ripper features in hundreds of works of fiction and works which straddle the boundaries between both fact and fiction, including the Ripper letters and a hoax Diary of Jack the Ripper. The Ripper appears in novels, short stories, poems, comic books, games, songs, plays, operas, television programmes and films. To date more than 100 non-fiction works deal exclusively with the Jack the Ripper murders, making it one of the most written-about true-crime subjects. The term "ripperology" was coined by Colin Wilson in the 1970s to describe the study of the case by professionals and amateurs. The periodicals Ripperana, Ripperologist and Ripper Notes publish their research.

Unlike murderers of lesser fame, there is no waxwork figure of Jack the Ripper at Madame Tussauds' Chamber of Horrors, in accordance with their policy of not modelling persons whose likeness is unknown. He is instead depicted as a shadow. In 2006, Jack the Ripper was selected by BBC History magazine and its readers as the worst Briton in history.