Jack Laird (May 8, 1923–December 3, 1991) was an American television producer, writer, director and actor who received three Emmy nominations for writing and/or producing the TV series Ben Casey, Night Gallery and Kojak.
Jack Laird entered the entertainment industry at a young age. One of his first appearances as a child actor was in an unbilled bit part in the 1934 film The Circus Clown. He continued to appear in unbilled bits into his late twenties, but eventually moved into writing and producing.
One of Laird's favorite actors was Leslie Nielsen with whom he made several made-for-TV movies, including 1964's See How They Run, the first feature in that genre, Code Name: Heraclitus, Dark Intruder, The Return of Charlie Chan and numerous TV episodes. Nielsen also starred in a series created by Laird, The Bold Ones: The Protectors.
Laird was evidently a fan of horror writer H.P. Lovecraft. He based at least two episodes of Night Gallery on Lovecraft's work - "Pickman's Model" (based directly on the Lovecraft story of the same title Pickman's Model) and "Professor Peabody's Last Lecture". The dialogue of the 1965 horror movie Dark Intruder, produced by Laird, includes some references to alien beings invented by Lovecraft, tying the film to Lovecraft's Cthulhu Mythos. In an early scene where Brett Kingsford meets with the police commissioner, opines that "gods older than the human race...deities like Dagon and Azathoth still have worshippers."
Jack Laird died of cancer in Los Angeles at the age of 68. His final resting place in Hollywood Forever Cemetery is in the "Garden of Legends" (formerly Section 8), Lot 266. His grave is directly next to that of actress Jayne Mansfield.
Read more about Jack Laird: Unused Projects
Famous quotes containing the words jack and/or laird:
“I hope you aint going to blow up my boat, Mr. Johnson. Like my wife, shes not much, but shes all I have.”
—Martin Berkeley. Jack Arnold. Lucas (Nestor Paiva)
“An amoeba is a formless thing which takes many shapes. It moves by thrusting out an arm, and flowing into the arm. It multiplies by pulling itself in two, without permanently diminishing the original. So with words. A meaning may develop on the periphery of the body of meanings associated with a word, and shortly this tentacle-meaning has grown to such proportions that it dwarfs all other meanings.”
—Charlton Laird (b. 1901)