Work
Apart from Dolores (1911), a traditional novel she later rejected as something "one wrote as a girl", Compton-Burnett's fiction deals with domestic situations in large households which, to all intents and purposes, invariably seem Edwardian. The description of human weaknesses and foibles of all sorts pervades her work, and the family that emerges from each of her novels must be seen as dysfunctional in one way or another. Starting with Pastors and Masters (1925), Compton-Burnett developed a highly individualistic style. Her fiction relies heavily on dialogue and demands constant attention on the reader's part: there are instances in her work where important information is casually mentioned in a half sentence. Her use of punctuation is deliberately perfunctory: there are no colons or semi-colons, no exclamation marks, no italics.
Read more about this topic: Ivy Compton-Burnett
Famous quotes containing the word work:
“They should own who can administer, not they who hoard and conceal; not they who, the greater proprietors they are, are only the greater beggars, but they whose work carves out work for more, opens a path for all.”
—Ralph Waldo Emerson (1803–1882)
“Where the whole man is involved there is no work. Work begins with the division of labor.”
—Marshall McLuhan (1911–1980)
“Mildred Pierce: You look down on me because I work for a living, don’t you? You always have. All right, I work. I cook food and sell it and make a profit on it, which, I might point out, you’re not too proud to share with me.
Monte Beragon: Yes, I take money from you, Mildred. But not enough to make me like kitchens or cooks. They smell of grease.
Mildred Pierce: I don’t notice you shrinking away from a fifty- dollar bill because it smells of grease.”
—Ranald MacDougall (1915–1973)