Work
Gurney wrote hundreds of poems and more than 300 songs as well as instrumental music. He set only a handful of his own poems, the best known being Severn Meadows. His best-known compositions include his Five Elizabethan Songs (or 'The Elizas' as he called them) and the song-cycles Ludlow and Teme and The Western Playland, both settings of poetry by A. E. Housman. There is something of Schubert and Schumann, but considerably less of the prevailing folk idiom of the time, in the intensity of his musical language.
Gurney is known both as a poet and composer and his reputation in both arts has continued to rise. Edmund Blunden, at the urging of composer Gerald Finzi, assembled the first collection of Gurney's poetry which was published in 1954. This was followed by P. J. Kavanagh's Collected Poems, first published in 1982 and reissued in 2004. It remains the best edition of Gurney's poetry. Gurney is regarded as one of the great World War I poets, and like the others of them, such as Edward Thomas whom he admired, he often contrasted the horrors of the front line with the beauty and tranquillity of his native English landscape - these themes were explored in the 2012 musical play A Soldier and a Maker.
Read more about this topic: Ivor Gurney
Famous quotes containing the word work:
“‘Tis not need we know our every thought
Or see the work shop where each mask is wrought
Wherefrom we view the world of box and pit,
Careless of wear, just so the mask shall fit
And serve our jape’s turn for a night or two.”
—Ezra Pound (1885–1972)
“I am from time to time congratulating myself on my general want of success as a lecturer; apparent want of success, but is it not a real triumph? I do my work clean as I go along, and they will not be likely to want me anywhere again. So there is no danger of my repeating myself, and getting to a barrel of sermons, which you must upset, and begin again with.”
—Henry David Thoreau (1817–1862)
“Every work of art should give utterance, or indicate, the awful blind strength and the cruelty of the creative impulse, that is why they must all have what are called errors, both of taste and style.”
—Christina Stead (1902–1983)