| Chromatic (semitone) works |
| La Journée de l'existence, for recitation, orchestra & choir ad. lib., without Op. (1916–1917, revised 1927 & 1939) |
| L'automne (words by F. Nietzsche, translated to Russian), for bass-baritone & piano, Op. 1 (1917) Ed. Belaieff. |
| Préludes (2), for piano, Op. 2 (1916) Ed. Belaieff. |
| Le soleil décline (words by F. Nietzsche), for bass-baritone & piano, Op. 3 (1917–1918) Ed. Belaieff. |
| Le scintillement des étoiles (words by Sophie Wyschnegradsky, his mother), for soprano & piano, Op. 4 (1918) |
| Quatre fragments, for piano (1st version), Op. 5 (1918) |
| L'Évangile Rouge (words by Vassili Kniaseff), cycle for voice & piano (1st version), Op. 8 (1918–1920) |
| Le mot, for soprano & piano, Op. 36 (1953) |
| Prélude, for piano, Op. 38a (1956) |
| String Quartet #3, Op. 38b (1945–1958) |
| Étude sur le carré magique sonore, for piano, Op. 40 (1956) Ed. Belaieff. |
| Third-tone Works |
| Prélude et danse, for Carrillo third tones piano, Op. 48 (1966) |
| 31st-tone Work |
| Étude ultrachromatique, for Fokker 31-tone organ, Op. 42 (1959) |
| Sixth-tone Works |
| Prélude et fugue, for 3 pianos in sixth tones, Op. 30 (1945) |
| Poème, for Carrillo sixth tones piano, Op. 44a (1958) |
| Études sur les mouvements rotatoires, for 3 pianos in sixth tones & orchestra, Op. 45b (1961) |
| Composition I, for 3 pianos in sixth tones, Op. 46a (1961) |
| Dialogue à trois, for 3 pianos in sixth tones, Op. 51 (1973–1974) |
| Méditations (2), for 3 pianos in sixth tones, without Op. (undated) |
| Twelfth-tone Works |
| Arc-en-ciel, for 6 pianos in twelfth tones, Op. 37 (1956) |
| Étude, for Carrillo twelfth tones piano, Op. 44b (1958) |
| Mixed Micro-intervals |
| Chant douloureux et étude, for violin & piano, Op. 6 (1918) (third, quarter, sixth & eighth tones in the violin part) |
| Méditation sur deux thèmes de la Journée de l'existence, for cello & piano, Op. 7 (1918–1919) (third, quarter & sixth tones in the cello part) |
| Chant nocturne, for violin & 2 pianos in quarter tones, Op. 11 (1927, revised 1971) (quarter, sixth & eighth tones in the violin part) |
| Œuvre sans titre, for 3 pianos in sixth tones & piano in quarter tones, without Op. (undated) |
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| Quarter-tone Works |
| Quatre fragments, for 2 pianos in quarter tones (2nd version), Op. 5 (1918) |
| L'Évangile Rouge, cycle for voice & 2 pianos in quarter tones (2nd version), Op. 8 (1918–1920) |
| Chants sur Nietzsche (2), for baritone & 2 pianos in quarter tones, Op. 9 (1923) |
| Variations sur la note Do, for 2 pianos in quarter tones, Op. 10 (1918–1920) |
| Dithyrambe, for 2 pianos in quarter tones, Op. 12 (1923–1924, revised vers. by Bruce Mather, 1991) |
| String Quartet #1, Op. 13 (1923–1924) |
| Chœurs (2, words by A. Pomorsky), for mixed choir, 4 pianos in quarter tones & percussions, Op. 14 (1926) |
| Prélude et fugue sur un chant de l'Évangile rouge, for quartertone piano, version for string quartet (lost), Op. 15 (1927) |
| Prélude et danse, for 2 pianos in quarter tones, Op. 16 (1926) |
| Ainsi parlait Zarathoustra, symphonie, for 4 pianos in quarter tones (sketches for orchestration in Bibliothèque Nationale, Paris), Op. 17 (1929–1930, revised 1936, Ed. L'Oiseau-Lyre) |
| String Quartet #2, Op. 18 (1930–1931) |
| Études de concert(2), for 2 pianos in quarter tones, Op. 19 (1931) |
| Étude en forme de scherzo, for 2 pianos in quarter tones, Op. 20 (1931) |
| Prélude et fugue, for 2 pianos in quarter tones, Op. 21 (1932) |
| Pièces (2), for 2 pianos in quarter tones, without Op. (1934) |
| Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons (24), for 2 pianos in quarter tones, Op. 22 (1934, rev. 1960) Ed. Belaieff. |
| Premier fragment symphonique, for 4 pianos in quarter tones, Op. 23a; for orchestra, Op. 23c (1934, orch. vers. 1967) |
| Deuxième fragment symphonique, for 4 pianos in quarter tones, timpani & percussions, Op. 24 (1937) |
| Poème, for 2 pianos in quarter tones, without Op. (1937) |
| Linnite, pantomime in 1 act & 5 scenes, for 3 voices & 4 pianos in quarter tones, Op. 25 (1937) |
| À Richard Wagner, for baritone & 2 pianos in quarter tones, Op. 26 (1934) |
| Acte chorégraphique, for bass-baritone, mixed choir, 4 pianos in quarter tones, percussions & ad. lib. instruments (viola, clarinet in C & balalaika), Op. 27 (1937–1940) |
| Cosmos, for 4 pianos in quarter tones, Op. 28 (1939–1940) Ed. Belaieff. |
| Chants russes (2), for bass-baritone & 2 pianos in quarter tones, Op. 29 (1940–1941) |
| Troisième fragment symphonique, for 4 pianos in quarter tones & ad. lib. percussions, Op. 31 (1946) |
| Fugues (2), for 2 pianos in quarter tones, Op. 32 (1951) |
| Variations sans thème et conclusion (5), for orchestra, Op. 33 (1951–1952) |
| Sonate en un mouvement, for viola & 2 pianos in quarter tones, Op. 34 (1945–1959) |
| Transparence I, for Onde Martenot & 2 pianos in quarter tones, Op. 35 (1953) |
| Quatrième fragment symphonique, for 4 Ondes Martenot & 4 pianos in quarter tones, Op. 38c (1956) |
| Polyphonies spatiales, for piano, harmonium, Onde Martenot, percussions & string orchestra, Op. 39 (1956) |
| Études sur les densités et les volumes, for 2 pianos in quarter tones, Op. 39b (1956) |
| Dialogue à deux, for 2 pianos in quarter tones, Op. 41 (1958–1973) |
| Dialogue, for 2 pianos in quarter tones, 8 hands, without Op. (1959) |
| Composition en quarts de ton for string quartet Op. 43 (1960) Ed. Belaieff. |
| Études sur les mouvements rotatoires, for 2 pianos in quarter tones, 8 hands, Op. 45a.; for chamber orchestra, Op. 45c (1961) Ed. Belaieff. |
| Composition II, for 2 pianos in quarter tones, Op. 46b (1960) |
| Transparence II, for Onde Martenot & 2 pianos in quarter tones, Op. 47 (1962–1963) |
| Intégrations, for 2 pianos in quarter tones, Op. 49 (1962) |
| L'Éternel Étranger, for voices, mixed choir, 4 pianos in quarter tones, percussions and orchestra (unfinished orchestration), Op. 50 (1940–1960) |
| Symphonie en un mouvement, for orchestra, Op. 51b (1969) |
| Composition, for Ondes Martenot quartet, Op. 52 (1963) |
| String Trio, Op. 53 (1979, unfinished, completed by Claude Ballif) |
| Trauergesang, Epigrammen, Ein Stück, for quartertone piano, without Op. (undated, found by M. Smolka in Alois Hába's archives in 1992) |
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