Story
The story revolved around two rather different realities, in Boston, Massachusetts. In one corner, there was the rather stereotyped character played by Lenny Clarke, a Boston Irish bar owner close to retirement who watches with dismay as his son falls for a girl with a rather unorthodox family history: she is the adoptive, and somewhat spoiled, daughter of an upper-middle class gay couple. The situation forces the character to come to terms with his homophobia although this aspect of Clarke's character was substantially toned down, since the atmosphere of a sitcom would not be suitable to explore such a conflict appropriately (the producers did not intend to recreate another All in the Family Archie Bunker character). In addition, the audience is introduced to the also stereotypical Irish American wife (Harriet Sansom Harris), who helps in the pub but is generally a traditional middle-aged housewife (but oddly has little problems accepting her soon-to-be daughter-in-law's parents), as well as the couple's tough-but-kind daughter (Paige Moss), who waitresses in the family's bar.
On the other side, there were Simon (Christopher Sieber) and Philip (John Benjamin Hickey), a same-sex couple who takes pride in how well they were able to raise their adoptive daughter. Here, the comedy came from the couple's difficulties in adjusting to their daughter's boyfriend's family, especially his father (Lenny Clarke), and most notably from Philip's notion that his daughter was dating someone "beneath her", both socially and culturally.
The first (and as it turned out, the only) season followed Maggie Lawson's and Reid Scott's characters romance as it evolved from a boyfriend/girlfriend relationship into engagement and, eventually, marriage. During this process, the two families strived to come to terms with the inevitability of being "joined" by their children's union, which would force both sides to revisit their preconceptions and prejudices.
Read more about this topic: It's All Relative
Famous quotes containing the word story:
“When a book, any sort of book, reaches a certain intensity of artistic performance it becomes literature. That intensity may be a matter of style, situation, character, emotional tone, or idea, or half a dozen other things. It may also be a perfection of control over the movement of a story similar to the control a great pitcher has over the ball.”
—Raymond Chandler (1888–1959)
“Even such is Time, which takes in trust
Our youth, our joys, and all we have,
And pays us but with age and dust,
Who in the dark and silent grave
When we have wandered all our ways
Shuts up the story of our days.
And from which earth, and grave, and dust,
The Lord shall raise me up I trust.”
—Sir Walter Raleigh (1552–1618)
“Who were the fools who spread the story that brute force cannot kill ideas? Nothing is easier. And once they are dead they are no more than corpses.”
—Simone Weil (1909–1943)