Story
The story revolved around two rather different realities, in Boston, Massachusetts. In one corner, there was the rather stereotyped character played by Lenny Clarke, a Boston Irish bar owner close to retirement who watches with dismay as his son falls for a girl with a rather unorthodox family history: she is the adoptive, and somewhat spoiled, daughter of an upper-middle class gay couple. The situation forces the character to come to terms with his homophobia although this aspect of Clarke's character was substantially toned down, since the atmosphere of a sitcom would not be suitable to explore such a conflict appropriately (the producers did not intend to recreate another All in the Family Archie Bunker character). In addition, the audience is introduced to the also stereotypical Irish American wife (Harriet Sansom Harris), who helps in the pub but is generally a traditional middle-aged housewife (but oddly has little problems accepting her soon-to-be daughter-in-law's parents), as well as the couple's tough-but-kind daughter (Paige Moss), who waitresses in the family's bar.
On the other side, there were Simon (Christopher Sieber) and Philip (John Benjamin Hickey), a same-sex couple who takes pride in how well they were able to raise their adoptive daughter. Here, the comedy came from the couple's difficulties in adjusting to their daughter's boyfriend's family, especially his father (Lenny Clarke), and most notably from Philip's notion that his daughter was dating someone "beneath her", both socially and culturally.
The first (and as it turned out, the only) season followed Maggie Lawson's and Reid Scott's characters romance as it evolved from a boyfriend/girlfriend relationship into engagement and, eventually, marriage. During this process, the two families strived to come to terms with the inevitability of being "joined" by their children's union, which would force both sides to revisit their preconceptions and prejudices.
Read more about this topic: It's All Relative
Famous quotes containing the word story:
“How else is the famous short story ‘A study in Abjection’ to be understood but as an outbreak of disgust against an age indecently undermined by psychology.”
—Thomas Mann (1875–1955)
“One of the necessary qualifications of an efficient business man in these days of industrial literature seems to be the ability to write, in clear and idiomatic English, a 1,000-word story on how efficient he is and how he got that way.... It seems that the entire business world were devoting its working hours to the creation of a school of introspective literature.”
—Robert Benchley (1889–1945)
“The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.”
—Harold Rosenberg (1906–1978)