Landscape
Lake Itasca, the official source of the Mississippi River and a scenic area of northern Minnesota, has remained relatively unchanged from its natural state. Most of the area has a heavy growth of timber that includes virgin red pine, which is also Minnesota's state tree. Some of the red pine in Itasca are over 200 years old.
The Itasca terrain is sometimes referred to as "knob and kettle." The knobs are mounds of debris deposited directly by the ice near the edge of glaciers or by melt–water streams flowing on or under the glacier's surface. The kettles are depressions, usually filled with water, formed by dormant ice masses buried or partially buried under glacial debris that later melted. The retreat of the ice around 10,000 years ago left behind 157 lakes of varying size that cover 3,000 acres (12 km2) of Itasca State Park. The glaciers deposited a moraine, a combination of silt, clay, sand, and gravel that covers the landscape to a depth of around 680 feet (210 m). The park also integrates 27,500 acres (111 km2) of upland and 1,500 acres (6.1 km2) of swamp.
Read more about this topic: Itasca State Park
Famous quotes containing the word landscape:
“The landscape was clothed in a mild and quiet light, in which the woods and fences checkered and partitioned it with new regularity, and rough and uneven fields stretched away with lawn-like smoothness to the horizon, and the clouds, finely distinct and picturesque, seemed a fit drapery to hang over fairyland. The world seemed decked for some holiday or prouder pageantry ... like a green lane into a country maze, at the season when fruit-trees are in blossom.”
—Henry David Thoreau (1817–1862)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)
“When the landscape buckles and jerks around, when a dust column of debris rises from the collapse of a block of buildings on bodies that could have been your own, when the staves of history fall awry and the barrel of time bursts apart, some turn to prayer, some to poetry: words in the memory, a stained book carried close to the body, the notebook scribbled by hand—a center of gravity.”
—Adrienne Rich (b. 1929)