Roman Art
The Etruscans were responsible for constructing Rome's earliest monumental buildings. Roman temples and houses were closely based on Etruscan models. Elements of Etruscan influence in Roman temples included the podium and the emphasis on the front at the expense of the remaining three sides. Large Etruscan houses were grouped around a central hall in much the same way as Roman town Large houses were later built around an atrium. The influence of Etruscan architecture gradually declined during the republic in the face of influences (particularly Greek) from elsewhere. Etruscan architecture was itself influenced by the Greeks, so that when the Romans adopted Greek styles, it was not a totally alien culture. During the republic there was probably a steady absorption of architectural influences, mainly from the Hellenistic world, but after the fall of Syracuse in 211 BC, Greek works of art flooded into Rome. During the 2nd century BC, the flow of these works, and more important, Greek craftsmen, continued, thus decisively influencing the development of Roman architecture. By the end of the republic, when Vitruvius wrote his treatise on architecture, Greek architectural theory and example were dominant. With the expansion of the empire, Roman architecture spread over a wide area, used for both public buildings and some larger private ones. In many areas elements of style were influenced by local tastes, particularly decoration, but the architecture remained recognizably Roman. Styles of vernacular architecture were influenced to varying degrees by Roman architecture, and in many regions Roman and native elements are found combined in the same building.
By the first century AD, Rome had become the biggest and most advanced city in the world. The ancient Romans came up with new technologies to improve the city's sanitation systems, roads, and buildings. They developed a system of aqueducts that piped freshwater into the city, and they built sewers that removed the city's waste. The wealthiest Romans lived in large houses with gardens. Most of the population, however, lived in apartment buildings made of stone, concrete, or limestone. The Romans developed new techniques and used materials such as volcanic soil from Pozzuoli, a village near Naples, to make their cement harder and stronger. This concrete allowed them to build large apartment buildings called insulae.
Wallpaintings decorated the houses of the wealthy. Paintings often showed garden landscapes, events from Greek and Roman mythology, historical scenes, or scenes of everyday life. Romans decorated floors with mosaics — pictures or designs created with small colored tiles. The richly colored paintings and mosaics helped to make rooms in Roman houses seem larger and brighter and showed off the wealth of the owner.
In the Christian era of the late Empire, from 350–500 AD, wall painting, mosaic ceiling and floor work, and funerary sculpture thrived, while full-sized sculpture in the round and panel painting died out, most likely for religious reasons. When Constantine moved the capital of the empire to Byzantium (renamed Constantinople), Roman art incorporated Eastern influences to produce the Byzantine style of the late empire. When Rome was sacked in the 5th century, artisans moved to and found work in the Eastern capital. The Church of Hagia Sophia in Constantinople employed nearly 10,000 workmen and artisans, in a final burst of Roman art under Emperor Justinian I, who also ordered the creation of the famous mosaics of Ravenna.
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“This seems a long while ago, and yet it happened since Milton wrote his Paradise Lost. But its antiquity is not the less great for that, for we do not regulate our historical time by the English standard, nor did the English by the Roman, nor the Roman by the Greek.... From this September afternoon, and from between these now cultivated shores, those times seemed more remote than the dark ages.”
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