Production
Neither Gable nor Colbert were the first choices to play the lead roles. Miriam Hopkins first rejected the part of Ellie. Robert Montgomery and Myrna Loy were then offered the roles, but each turned the script down, though Loy later noted that the final story as filmed bore little resemblance to the script that she and Montgomery had been offered for their perusal. Margaret Sullavan also rejected the part. Constance Bennett was willing to play the role if she could produce the film herself; however, Columbia Pictures would not allow this. Then Bette Davis wanted the role, but was under contract with Warner Brothers and Jack Warner refused to loan her. Carole Lombard was unable to accept, because the filming schedule conflicted with that of Bolero. Loretta Young also turned it down.
Harry Cohn suggested Colbert, and she initially turned the role down. Colbert's first film, For the Love of Mike (1927), had been directed by Frank Capra, and it was such a disaster that she vowed to never make another with him. Later on, she agreed to appear in It Happened One Night only if her salary was doubled to $50,000, and also on the condition that the filming of her role be completed in four weeks so that she could take her well-planned vacation.
According to Hollywood legend, Gable was lent to Columbia Pictures, then considered a minor studio, as some kind of "punishment" for refusing a role at his own studio. This tale has been partially refuted by more recent biographies. Metro-Goldwyn-Mayer did not have a movie project ready for Gable, and the studio was paying him his contracted salary of $2,000 per week whether he worked or not. Louis B. Mayer lent him to Columbia Pictures for $2,500 per week, hence netting MGM $500 per week while he was gone. Capra, however, insists that Gable was a reluctant participant in the film.
Filming began in a tense atmosphere as Gable and Colbert were dissatisfied with the quality of the script. However, they established a friendly working relationship and found that the script was no worse than those of many of their earlier films. Capra understood their dissatisfaction and tried to lighten the mood by having Gable play practical jokes on Colbert, who responded with good humor.
Colbert, however, continued to show her displeasure on the set. She also initially balked at pulling up her skirt to entice a passing driver to provide a ride, complaining that it was unladylike. Upon seeing the chorus girl who was brought in as her body double, an outraged Colbert told the director, "Get her out of here. I'll do it. That's not my leg!" Through the filming, Capra claimed, Colbert "had many little tantrums, motivated by her antipathy toward me," however "she was wonderful in the part." After her acceptance speech at the Oscars ceremony, she went back on stage and thanked Capra for making the film.
Read more about this topic: It Happened One Night
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—Ernest Gellner (b. 1925)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
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“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
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