Song
The song starts:
| “ | Get up in the morning, slaving for bread, sir, So that every mouth can be fed. Poor me,the Israelites, sir |
” |
The vocal melody is syncopated and is centred on the tone of B flat. The chords of the guitar accompaniment are played on the offbeat and move through the tonic chord the subdominant and the dominant .
It was one of the first ska songs to become an international hit, despite Dekker's strong Jamaican accent which made his lyrics difficult to understand for audiences outside Jamaica. The opening line, "Get up in the morning, slaving for bread, sir" was often misheard, one example being "Wake up in the morning, baked beans for breakfast". In June 1969 it reached the Top Ten in the United States, peaking at #9 on the Billboard Hot 100 singles chart. It hit number one in the United Kingdom, Netherlands, Jamaica, South Africa, Canada, Sweden and West Germany. The song came almost two years after Dekker first made his mark with the rude boy song, "007 (Shanty Town)".
"Israelites" brought a Jamaican beat to the British top 40 for the first time since Millie's number two hit "My Boy Lollipop".
The disc was released in the UK in March 1969 and was number one for one week, selling over 250,000 copies. A global million sales was reported in June 1969.
Dekker had two more UK Top Ten hits over the next year, "It Mek" and his cover of Jimmy Cliff's song, "You Can Get It If You Really Want".
Dekker recorded on the Pyramid record label, and when its catalogue was acquired by Cactus Records in 1975, "Israelites" was re-issued. The song again reached a Top Ten position in the United Kingdom just over six years after the original release.
Read more about this topic: Israelites (song)
Famous quotes containing the word song:
“I describe family values as responsibility towards others, increase of tolerance, compromise, support, flexibility. And essentially the things I call the silent song of life—the continuous process of mutual accommodation without which life is impossible.”
—Salvador Minuchin (20th century)
“The screech and mechanical uproar of the big city turns the citified head, fills citified ears—as the song of birds, wind in the trees, animal cries, or as the voices and songs of his loved ones once filled his heart. He is sidewalk- happy.”
—Frank Lloyd Wright (1869–1959)
“A song is anything that can walk by itself.”
—Bob Dylan [Robert Allen Zimmerman] (b. 1941)