Works
De Lara was a moderately prolific composer, producing a total of 13 operas, 67 vocal art songs, and a small amount of chamber music. His musical style was highly eclectic, although the influences of Jules Massenet and Camille Saint-Saëns are readily apparent within his operas. Musicologist Nigel Burton wrote, "His style may be said to have developed, but it never really settled down." The somewhat erratic side to his writing was a weakness and a strength. The fluctuating musical vocabulary in his writing enabled him to create any attitude, emotion, or impression at a moment’s notice, but at times the musical effects seem out of place or without cause; a criticism also made of Meyerbeer. Critics have also commented on de Lara's tendency towards over sentimentality. As one critic said, "at the moments when the music should attempt to rise to dramatic greatness, it degenerates into synthetic posturings." However, de Lara by all accounts had a wonderful musical ear and at his best he is a fine composer. Perhaps de Lara's strongest area was his skill at orchestration which was both tasteful and highly creative at the same time.
Read more about this topic: Isidore De Lara
Famous quotes containing the word works:
“When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
—Ralph Waldo Emerson (1803–1882)
“The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
—Henry David Thoreau (1817–1862)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)