Music
Ishmael Reed’s texts and lyrics have been performed, composed or set to music by Albert Ayler, David Murray, Allen Toussaint, Carman Moore, Taj Mahal, Olu Dara, Lester Bowie, Carla Bley, Steve Swallow, Ravi Coltrane, Leo Nocentelli, Eddie Harris, Anthony Cox, Don Pullen, Billy Bang, Bobby Womack, Milton Cardonna, Omar Sosa, Fernando Saunders, Yosvanni Terry, Jack Bruce, Little Jimmy Scott, Robert Jason, Alvin Youngblood Hart, Mary Wilson of the Supremes, Cassandra Wilson and others. He has been the central participant in the longest ongoing music/poetry collaboration, known as Conjure projects, produced by Kip Hanrahan on American Clavé: Conjure I (1984) and Conjure II (1988), which were reissued by Rounder Records in 1995; and Conjure Bad Mouth (2005), whose compositions were developed in live Conjure band performances, from 2003 to 2004, including engagements at Paris’ Banlieues Bleues, London’s Barbican, and the Blue Note Café in Tokyo. The Village Voice ranked the 2005 Conjure CD one of four best spoken-word albums released in 2006. In 2008, Reed was honored as Blues Songwriter of the Year from the West Coast Blues Hall of Fame Awards. A David Murray CD released in 2009, The Devil Tried to Kill Me, includes two songs with lyrics by Reed: “Afrika,” sung by Taj Mahal, and the title song performed by SF-based rapper Sista Kee. September 11, 2011, in a Jazz à la Villette concert at the Grande Halle in Paris, the Red Bull Music Academy World Tour premiered 3 new songs with lyrics by Ishmael Reed, performed by Macy Gray, Tony Allen, members of The Roots, David Murray and his Big Band, Amp Fiddler and Fela! singer/dancers. In 2007, he made his debut as a jazz pianist and bandleader with For All We Know by The Ishmael Reed Quintet.
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Famous quotes containing the word music:
“As if, as if, as if the disparate halves
Of things were waiting in a betrothal known
To none, awaiting espousal to the sound
Of right joining, a music of ideas, the burning
And breeding and bearing birth of harmony,
The final relation, the marriage of the rest.”
—Wallace Stevens (1879–1955)
“The first condition for making music is not to make a noise.”
—José Bergamín (1895–1983)
“It is hard to describe the thrill of creative joy which the artist feels when the conviction seizes her that at last she has caught the very soul of the character she wishes to portray, in the music and action which reveal it.”
—Maria Jeritza (1887–1982)