Extension and Preservation Project
In 2002, after a two-year master planning process, the museum’s board of trustees determined that a new wing was necessary to preserve the historic building and to provide improved spaces for programs that continue Isabella Gardner’s legacy. In 2004, Pritzker Prize-winning architect Renzo Piano and the Renzo Piano Building Workshop (Genoa, Italy) were selected to design the new wing. The design for the new wing is conceived as a respectful complement to the historic Museum building in scale, form, and materials.
In March 2009, the Supreme Judicial Court of Massachusetts approved the museum’s plans, confirming that the project is consistent with the primary purpose of Isabella Stewart Gardner’s will and is in the public interest. The project also received approval from all relevant city and state preservation and development review agencies.
The new wing will include new spaces for visitor services, concerts, special exhibitions, and education and landscape programs, furthering Isabella Gardner’s legacy in art, music, and horticulture while reducing 21st-century strain on the collection and galleries. The planned completion date is 2012, and the project will cost $118 million.
Read more about this topic: Isabella Stewart Gardner Museum
Famous quotes containing the words extension, preservation and/or project:
“Slavery is founded on the selfishness of man’s nature—opposition to it on his love of justice. These principles are in eternal antagonism; and when brought into collision so fiercely as slavery extension brings them, shocks and throes and convulsions must ceaselessly follow.”
—Abraham Lincoln (1809–1865)
“Is not our role to stand for the one thing which means our own salvation here but with which it will also be possible to save the world, and with which Europe will be able to save itself, namely the preservation of the white man and his state?”
—Hendrik Verwoerd (1901–1966)
“Music is so much a part of their daily lives that if an Indian visits another reservation one of the first questions asked on his return is: “What new songs did you learn?””
—Federal Writers’ Project Of The Wor, U.S. public relief program (1935-1943)