Travel and Collecting
In 1874, Isabella and Jack Gardner went abroad, visiting the Middle East, Central Europe and Paris. Beginning in the late 1880s, they traveled frequently across America, Europe and Asia to discover foreign cultures and expand their knowledge of art around the world.
The earliest works in the Gardners' collection were accumulated from their trips to Europe especially, but also from such places as Egypt, Turkey, and the Far East. The Gardners began to collect in earnest in the late 1890s, rapidly building a world-class collection of paintings and statues primarily, and also tapestries, photographs, silver, ceramics and manuscripts, and architectural elements such as doors, stained glass, and mantelpieces. Nearly 70 works of art in her collection were acquired with the help of dealer Bernard Berenson. Among the collectors with whom she competed was Edward Perry Warren, who supplied a number of works to the Museum of Fine Arts, Boston. The Gardner collection includes work by some of Europe's most important artists, such as Botticelli's Madonna and Child with an Angel, Titian's Europa, and Raphael's The Colonna Altarpiece, and Diego Velázquez.
Isabella Stewart Gardner’s favorite foreign destination was Venice, Italy. The Gardners regularly stayed at the Palazzo Barbaro, a major artistic center for a circle of American and English expatriates in Venice, and visited Venice’s artistic treasures with amateur artist and former Bostonian, Ralph Curtis. While in Venice, Gardner bought art and antiques, attended the opera and dined with expatriate artists and writers.
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Famous quotes containing the words travel and/or collecting:
“For my part, I travel not to go anywhere, but to go. I travel for travels sake. The great affair is to move; to feel the needs and hitches of our life more nearly; to come down off this feather-bed of civilisation, and find the globe granite underfoot and strewn with cutting flints.”
—Robert Louis Stevenson (18501894)
“What pursuit is more elegant than that of collecting the ignominies of our nature and transfixing them for show, each on the bright pin of a polished phrase?”
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