Isaak Dunayevsky - Works

Works

  • The Tranquillity of the Faun, ballet (1924)
  • Murzilka, ballet for children (1924)
  • For Us and You, operetta (1924)
  • Bridegrooms (Женихи), operetta (1926)
  • The Knives (Ножи), operetta (1928)
  • Polar Passions, operetta (1928)
  • Million Langours, operetta (1932)
  • Jolly Fellows (Весёлые ребята), film music (1934), including "Serdtse"
  • Three Friends (Три товарища), film music (1935)
  • Seekers of Happiness (Искатели счастья), film music (1936)
  • Circus (Цирк), film music (1936)
  • The Children of Captain Grant (Дети капитана Гранта), film music (1936)
  • The Golden Valley (Золотая долина), operetta (1937)
  • Volga-Volga (Волга-Волга), film music (1938)
  • The Roads to Happiness (Дороги к счастью), operetta (1939)
  • My Love (Моя любовь). film music (1940)
  • Moscow, suite for solo voices, chorus and orchestra (1941)
  • The Wind of Liberty (Вольный ветер), operetta (1947)
  • Cossacks of the Kuban (Кубанские казаки), film music (1949)
  • The Son of the Clown (Сын клоуна), operetta (1950)
  • Glory of the Railwaymen, cantata
  • Our Homeland May Flourish!, cantata
  • Ballet Suite for orchestra
  • Suite on Chinese themes, orchestra
  • Rhapsody on Songs of the people of the Soviet Union, jazz orchestra
  • The Music Store, jazz orchestra
  • String Quartet
  • Song of the Fatherland, film music
  • Requiem, narrator and quintet
  • Song of Stalin, chorus and orchestra
  • White Acacia (Белая акация), operetta (1955, completed by Kirill Molchanov)

Also:

  • Songs
  • Pieces for chamber orchestra
  • Incidental music for theatre and cinema

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    —Anita Brookner (b. 1938)

    “When life has been well spent, age is a loss of what it can well spare,—muscular strength, organic instincts, gross bulk, and works that belong to these. But the central wisdom, which was old in infancy, is young in fourscore years, and dropping off obstructions, leaves in happy subjects the mind purified and wise.”
    —Ralph Waldo Emerson (1803–1882)

    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)