Isaak Dunayevsky - Works

Works

  • The Tranquillity of the Faun, ballet (1924)
  • Murzilka, ballet for children (1924)
  • For Us and You, operetta (1924)
  • Bridegrooms (Женихи), operetta (1926)
  • The Knives (Ножи), operetta (1928)
  • Polar Passions, operetta (1928)
  • Million Langours, operetta (1932)
  • Jolly Fellows (Весёлые ребята), film music (1934), including "Serdtse"
  • Three Friends (Три товарища), film music (1935)
  • Seekers of Happiness (Искатели счастья), film music (1936)
  • Circus (Цирк), film music (1936)
  • The Children of Captain Grant (Дети капитана Гранта), film music (1936)
  • The Golden Valley (Золотая долина), operetta (1937)
  • Volga-Volga (Волга-Волга), film music (1938)
  • The Roads to Happiness (Дороги к счастью), operetta (1939)
  • My Love (Моя любовь). film music (1940)
  • Moscow, suite for solo voices, chorus and orchestra (1941)
  • The Wind of Liberty (Вольный ветер), operetta (1947)
  • Cossacks of the Kuban (Кубанские казаки), film music (1949)
  • The Son of the Clown (Сын клоуна), operetta (1950)
  • Glory of the Railwaymen, cantata
  • Our Homeland May Flourish!, cantata
  • Ballet Suite for orchestra
  • Suite on Chinese themes, orchestra
  • Rhapsody on Songs of the people of the Soviet Union, jazz orchestra
  • The Music Store, jazz orchestra
  • String Quartet
  • Song of the Fatherland, film music
  • Requiem, narrator and quintet
  • Song of Stalin, chorus and orchestra
  • White Acacia (Белая акация), operetta (1955, completed by Kirill Molchanov)

Also:

  • Songs
  • Pieces for chamber orchestra
  • Incidental music for theatre and cinema

Read more about this topic:  Isaak Dunayevsky

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    Francis Picabia (1878–1953)

    I shall not bring an automobile with me. These inventions infest France almost as much as Bloomer cycling costumes, but they make a horrid racket, and are particularly objectionable. So are the Bloomers. Nothing more abominable has ever been invented. Perhaps the automobile tricycles may succeed better, but I abjure all these works of the devil.
    Henry Brooks Adams (1838–1918)

    Most works of art, like most wines, ought to be consumed in the district of their fabrication.
    Rebecca West (1892–1983)